Twelfth Night

 

By

 

William Shakespeare

 


CONTENTS:

 

ACT I 3

SCENE I. DUKE ORSINO's palace. 3

SCENE II. The sea-coast. 5

SCENE III. OLIVIA'S house. 8

SCENE IV. DUKE ORSINO's palace. 16

SCENE V. OLIVIA'S house. 19

ACT II 35

SCENE I. The sea-coast. 35

SCENE II. A street. 37

SCENE III. OLIVIA's house. 39

SCENE IV. DUKE ORSINO's palace. 49

SCENE V. OLIVIA's garden. 55

ACT III 66

SCENE I. OLIVIA's garden. 66

SCENE II. OLIVIA's house. 75

SCENE III. A street. 79

SCENE IV. OLIVIA's garden. 82

ACT IV.. 102

SCENE I. Before OLIVIA's house. 102

SCENE II. OLIVIA's house. 106

SCENE III. OLIVIA's garden. 113

ACT V.. 115

SCENE I. Before OLIVIA's house. 115

 


ACT I

SCENE I. DUKE ORSINO's palace.

 

    Enter DUKE ORSINO, CURIO, and other Lords; Musicians attending

 

DUKE ORSINO

 

    If music be the food of love, play on;

    Give me excess of it, that, surfeiting,

    The appetite may sicken, and so die.

    That strain again! it had a dying fall:

    O, it came o'er my ear like the sweet sound,

    That breathes upon a bank of violets,

    Stealing and giving odour! Enough; no more:

    'Tis not so sweet now as it was before.

    O spirit of love! how quick and fresh art thou,

    That, notwithstanding thy capacity

    Receiveth as the sea, nought enters there,

    Of what validity and pitch soe'er,

    But falls into abatement and low price,

    Even in a minute: so full of shapes is fancy

    That it alone is high fantastical.

 

CURIO

 

    Will you go hunt, my lord?

 

DUKE ORSINO

 

    What, Curio?

 

CURIO

 

    The hart.

 

DUKE ORSINO

 

    Why, so I do, the noblest that I have:

    O, when mine eyes did see Olivia first,

    Methought she purged the air of pestilence!

    That instant was I turn'd into a hart;

    And my desires, like fell and cruel hounds,

    E'er since pursue me.

 

    Enter VALENTINE

    How now! what news from her?

 

VALENTINE

 

    So please my lord, I might not be admitted;

    But from her handmaid do return this answer:

    The element itself, till seven years' heat,

    Shall not behold her face at ample view;

    But, like a cloistress, she will veiled walk

    And water once a day her chamber round

    With eye-offending brine: all this to season

    A brother's dead love, which she would keep fresh

    And lasting in her sad remembrance.

 

DUKE ORSINO

 

    O, she that hath a heart of that fine frame

    To pay this debt of love but to a brother,

    How will she love, when the rich golden shaft

    Hath kill'd the flock of all affections else

    That live in her; when liver, brain and heart,

    These sovereign thrones, are all supplied, and fill'd

    Her sweet perfections with one self king!

    Away before me to sweet beds of flowers:

    Love-thoughts lie rich when canopied with bowers.

 

    Exeunt

 


SCENE II. The sea-coast.

 

    Enter VIOLA, a Captain, and Sailors

 

VIOLA

 

    What country, friends, is this?

 

Captain

 

    This is Illyria, lady.

 

VIOLA

 

    And what should I do in Illyria?

    My brother he is in Elysium.

    Perchance he is not drown'd: what think you, sailors?

 

Captain

 

    It is perchance that you yourself were saved.

 

VIOLA

 

    O my poor brother! and so perchance may he be.

 

Captain

 

    True, madam: and, to comfort you with chance,

    Assure yourself, after our ship did split,

    When you and those poor number saved with you

    Hung on our driving boat, I saw your brother,

    Most provident in peril, bind himself,

    Courage and hope both teaching him the practise,

    To a strong mast that lived upon the sea;

    Where, like Arion on the dolphin's back,

    I saw him hold acquaintance with the waves

    So long as I could see.

 

VIOLA

 

    For saying so, there's gold:

    Mine own escape unfoldeth to my hope,

    Whereto thy speech serves for authority,

    The like of him. Know'st thou this country?

 

Captain

 

    Ay, madam, well; for I was bred and born

    Not three hours' travel from this very place.

 

VIOLA

 

    Who governs here?

 

Captain

 

    A noble duke, in nature as in name.

 

VIOLA

 

    What is the name?

 

Captain

 

    Orsino.

 

VIOLA

 

    Orsino! I have heard my father name him:

    He was a bachelor then.

 

Captain

 

    And so is now, or was so very late;

    For but a month ago I went from hence,

    And then 'twas fresh in murmur,--as, you know,

    What great ones do the less will prattle of,--

    That he did seek the love of fair Olivia.

 

VIOLA

 

    What's she?

 

Captain

 

    A virtuous maid, the daughter of a count

    That died some twelvemonth since, then leaving her

    In the protection of his son, her brother,

    Who shortly also died: for whose dear love,

    They say, she hath abjured the company

    And sight of men.

 

VIOLA

 

    O that I served that lady

    And might not be delivered to the world,

    Till I had made mine own occasion mellow,

    What my estate is!

 

Captain

 

    That were hard to compass;

    Because she will admit no kind of suit,

    No, not the duke's.

 

VIOLA

 

    There is a fair behavior in thee, captain;

    And though that nature with a beauteous wall

    Doth oft close in pollution, yet of thee

    I will believe thou hast a mind that suits

    With this thy fair and outward character.

    I prithee, and I'll pay thee bounteously,

    Conceal me what I am, and be my aid

    For such disguise as haply shall become

    The form of my intent. I'll serve this duke:

    Thou shall present me as an eunuch to him:

    It may be worth thy pains; for I can sing

    And speak to him in many sorts of music

    That will allow me very worth his service.

    What else may hap to time I will commit;

    Only shape thou thy silence to my wit.

 

Captain

 

    Be you his eunuch, and your mute I'll be:

    When my tongue blabs, then let mine eyes not see.

 

VIOLA

 

    I thank thee: lead me on.

 

    Exeunt

 


SCENE III. OLIVIA'S house.

 

    Enter SIR TOBY BELCH and MARIA

 

SIR TOBY BELCH

 

    What a plague means my niece, to take the death of

    her brother thus? I am sure care's an enemy to life.

 

MARIA

 

    By my troth, Sir Toby, you must come in earlier o'

    nights: your cousin, my lady, takes great

    exceptions to your ill hours.

 

SIR TOBY BELCH

 

    Why, let her except, before excepted.

 

MARIA

 

    Ay, but you must confine yourself within the modest

    limits of order.

 

SIR TOBY BELCH

 

    Confine! I'll confine myself no finer than I am:

    these clothes are good enough to drink in; and so be

    these boots too: an they be not, let them hang

    themselves in their own straps.

 

MARIA

 

    That quaffing and drinking will undo you: I heard

    my lady talk of it yesterday; and of a foolish

    knight that you brought in one night here to be her wooer.

 

SIR TOBY BELCH

 

    Who, Sir Andrew Aguecheek?

 

MARIA

 

    Ay, he.

 

SIR TOBY BELCH

 

    He's as tall a man as any's in Illyria.

 

MARIA

 

    What's that to the purpose?

 

SIR TOBY BELCH

 

    Why, he has three thousand ducats a year.

 

MARIA

 

    Ay, but he'll have but a year in all these ducats:

    he's a very fool and a prodigal.

 

SIR TOBY BELCH

 

    Fie, that you'll say so! he plays o' the

    viol-de-gamboys, and speaks three or four languages

    word for word without book, and hath all the good

    gifts of nature.

 

MARIA

 

    He hath indeed, almost natural: for besides that

    he's a fool, he's a great quarreller: and but that

    he hath the gift of a coward to allay the gust he

    hath in quarrelling, 'tis thought among the prudent

    he would quickly have the gift of a grave.

 

SIR TOBY BELCH

 

    By this hand, they are scoundrels and subtractors

    that say so of him. Who are they?

 

MARIA

 

    They that add, moreover, he's drunk nightly in your company.

 

SIR TOBY BELCH

 

    With drinking healths to my niece: I'll drink to

    her as long as there is a passage in my throat and

    drink in Illyria: he's a coward and a coystrill

    that will not drink to my niece till his brains turn

    o' the toe like a parish-top. What, wench!

    Castiliano vulgo! for here comes Sir Andrew Agueface.

 

    Enter SIR ANDREW

 

SIR ANDREW

 

    Sir Toby Belch! how now, Sir Toby Belch!

 

SIR TOBY BELCH

 

    Sweet Sir Andrew!

 

SIR ANDREW

 

    Bless you, fair shrew.

 

MARIA

 

    And you too, sir.

 

SIR TOBY BELCH

 

    Accost, Sir Andrew, accost.

 

SIR ANDREW

 

    What's that?

 

SIR TOBY BELCH

 

    My niece's chambermaid.

 

SIR ANDREW

 

    Good Mistress Accost, I desire better acquaintance.

 

MARIA

 

    My name is Mary, sir.

 

SIR ANDREW

 

    Good Mistress Mary Accost,--

 

SIR TOBY BELCH

 

    You mistake, knight; 'accost' is front her, board

    her, woo her, assail her.

 

SIR ANDREW

 

    By my troth, I would not undertake her in this

    company. Is that the meaning of 'accost'?

 

MARIA

 

    Fare you well, gentlemen.

 

SIR TOBY BELCH

 

    An thou let part so, Sir Andrew, would thou mightst

    never draw sword again.

 

SIR ANDREW

 

    An you part so, mistress, I would I might never

    draw sword again. Fair lady, do you think you have

    fools in hand?

 

MARIA

 

    Sir, I have not you by the hand.

 

SIR ANDREW

 

    Marry, but you shall have; and here's my hand.

 

MARIA

 

    Now, sir, 'thought is free:' I pray you, bring

    your hand to the buttery-bar and let it drink.

 

SIR ANDREW

 

    Wherefore, sweet-heart? what's your metaphor?

 

MARIA

 

    It's dry, sir.

 

SIR ANDREW

 

    Why, I think so: I am not such an ass but I can

    keep my hand dry. But what's your jest?

 

MARIA

 

    A dry jest, sir.

 

SIR ANDREW

 

    Are you full of them?

 

MARIA

 

    Ay, sir, I have them at my fingers' ends: marry,

    now I let go your hand, I am barren.

 

    Exit

 

SIR TOBY BELCH

 

    O knight thou lackest a cup of canary: when did I

    see thee so put down?

 

SIR ANDREW

 

    Never in your life, I think; unless you see canary

    put me down. Methinks sometimes I have no more wit

    than a Christian or an ordinary man has: but I am a

    great eater of beef and I believe that does harm to my wit.

 

SIR TOBY BELCH

 

    No question.

 

SIR ANDREW

 

    An I thought that, I'ld forswear it. I'll ride home

    to-morrow, Sir Toby.

 

SIR TOBY BELCH

 

    Pourquoi, my dear knight?

 

SIR ANDREW

 

    What is 'Pourquoi'? do or not do? I would I had

    bestowed that time in the tongues that I have in

    fencing, dancing and bear-baiting: O, had I but

    followed the arts!

 

SIR TOBY BELCH

 

    Then hadst thou had an excellent head of hair.

 

SIR ANDREW

 

    Why, would that have mended my hair?

 

SIR TOBY BELCH

 

    Past question; for thou seest it will not curl by nature.

 

SIR ANDREW

 

    But it becomes me well enough, does't not?

 

SIR TOBY BELCH

 

    Excellent; it hangs like flax on a distaff; and I

    hope to see a housewife take thee between her legs

    and spin it off.

 

SIR ANDREW

 

    Faith, I'll home to-morrow, Sir Toby: your niece

    will not be seen; or if she be, it's four to one

    she'll none of me: the count himself here hard by woos her.

 

SIR TOBY BELCH

 

    She'll none o' the count: she'll not match above

    her degree, neither in estate, years, nor wit; I

    have heard her swear't. Tut, there's life in't,

    man.

 

SIR ANDREW

 

    I'll stay a month longer. I am a fellow o' the

    strangest mind i' the world; I delight in masques

    and revels sometimes altogether.

 

SIR TOBY BELCH

 

    Art thou good at these kickshawses, knight?

 

SIR ANDREW

 

    As any man in Illyria, whatsoever he be, under the

    degree of my betters; and yet I will not compare

    with an old man.

 

SIR TOBY BELCH

 

    What is thy excellence in a galliard, knight?

 

SIR ANDREW

 

    Faith, I can cut a caper.

 

SIR TOBY BELCH

 

    And I can cut the mutton to't.

 

SIR ANDREW

 

    And I think I have the back-trick simply as strong

    as any man in Illyria.

 

SIR TOBY BELCH

 

    Wherefore are these things hid? wherefore have

    these gifts a curtain before 'em? are they like to

    take dust, like Mistress Mall's picture? why dost

    thou not go to church in a galliard and come home in

    a coranto? My very walk should be a jig; I would not

    so much as make water but in a sink-a-pace. What

    dost thou mean? Is it a world to hide virtues in?

    I did think, by the excellent constitution of thy

    leg, it was formed under the star of a galliard.

 

SIR ANDREW

 

    Ay, 'tis strong, and it does indifferent well in a

    flame-coloured stock. Shall we set about some revels?

 

SIR TOBY BELCH

 

    What shall we do else? were we not born under Taurus?

 

SIR ANDREW

 

    Taurus! That's sides and heart.

 

SIR TOBY BELCH

 

    No, sir; it is legs and thighs. Let me see the

    caper; ha! higher: ha, ha! excellent!

 

    Exeunt

 


SCENE IV. DUKE ORSINO's palace.

 

    Enter VALENTINE and VIOLA in man's attire

 

VALENTINE

 

    If the duke continue these favours towards you,

    Cesario, you are like to be much advanced: he hath

    known you but three days, and already you are no stranger.

 

VIOLA

 

    You either fear his humour or my negligence, that

    you call in question the continuance of his love:

    is he inconstant, sir, in his favours?

 

VALENTINE

 

    No, believe me.

 

VIOLA

 

    I thank you. Here comes the count.

 

    Enter DUKE ORSINO, CURIO, and Attendants

 

DUKE ORSINO

 

    Who saw Cesario, ho?

 

VIOLA

 

    On your attendance, my lord; here.

 

DUKE ORSINO

 

    Stand you a while aloof, Cesario,

    Thou know'st no less but all; I have unclasp'd

    To thee the book even of my secret soul:

    Therefore, good youth, address thy gait unto her;

    Be not denied access, stand at her doors,

    And tell them, there thy fixed foot shall grow

    Till thou have audience.

 

VIOLA

 

    Sure, my noble lord,

    If she be so abandon'd to her sorrow

    As it is spoke, she never will admit me.

 

DUKE ORSINO

 

    Be clamorous and leap all civil bounds

    Rather than make unprofited return.

 

VIOLA

 

    Say I do speak with her, my lord, what then?

 

DUKE ORSINO

 

    O, then unfold the passion of my love,

    Surprise her with discourse of my dear faith:

    It shall become thee well to act my woes;

    She will attend it better in thy youth

    Than in a nuncio's of more grave aspect.

 

VIOLA

 

    I think not so, my lord.

 

DUKE ORSINO

 

    Dear lad, believe it;

    For they shall yet belie thy happy years,

    That say thou art a man: Diana's lip

    Is not more smooth and rubious; thy small pipe

    Is as the maiden's organ, shrill and sound,

    And all is semblative a woman's part.

    I know thy constellation is right apt

    For this affair. Some four or five attend him;

    All, if you will; for I myself am best

    When least in company. Prosper well in this,

    And thou shalt live as freely as thy lord,

    To call his fortunes thine.

 

VIOLA

 

    I'll do my best

    To woo your lady:

 

    Aside

    yet, a barful strife!

    Whoe'er I woo, myself would be his wife.

 

    Exeunt

 


SCENE V. OLIVIA'S house.

 

    Enter MARIA and Clown

 

MARIA

 

    Nay, either tell me where thou hast been, or I will

    not open my lips so wide as a bristle may enter in

    way of thy excuse: my lady will hang thee for thy absence.

 

Clown

 

    Let her hang me: he that is well hanged in this

    world needs to fear no colours.

 

MARIA

 

    Make that good.

 

Clown

 

    He shall see none to fear.

 

MARIA

 

    A good lenten answer: I can tell thee where that

    saying was born, of 'I fear no colours.'

 

Clown

 

    Where, good Mistress Mary?

 

MARIA

 

    In the wars; and that may you be bold to say in your foolery.

 

Clown

 

    Well, God give them wisdom that have it; and those

    that are fools, let them use their talents.

 

MARIA

 

    Yet you will be hanged for being so long absent; or,

    to be turned away, is not that as good as a hanging to you?

 

Clown

 

    Many a good hanging prevents a bad marriage; and,

    for turning away, let summer bear it out.

 

MARIA

 

    You are resolute, then?

 

Clown

 

    Not so, neither; but I am resolved on two points.

 

MARIA

 

    That if one break, the other will hold; or, if both

    break, your gaskins fall.

 

Clown

 

    Apt, in good faith; very apt. Well, go thy way; if

    Sir Toby would leave drinking, thou wert as witty a

    piece of Eve's flesh as any in Illyria.

 

MARIA

 

    Peace, you rogue, no more o' that. Here comes my

    lady: make your excuse wisely, you were best.

 

    Exit

 

Clown

 

    Wit, an't be thy will, put me into good fooling!

    Those wits, that think they have thee, do very oft

    prove fools; and I, that am sure I lack thee, may

    pass for a wise man: for what says Quinapalus?

    'Better a witty fool, than a foolish wit.'

 

    Enter OLIVIA with MALVOLIO

    God bless thee, lady!

 

OLIVIA

 

    Take the fool away.

 

Clown

 

    Do you not hear, fellows? Take away the lady.

 

OLIVIA

 

    Go to, you're a dry fool; I'll no more of you:

    besides, you grow dishonest.

 

Clown

 

    Two faults, madonna, that drink and good counsel

    will amend: for give the dry fool drink, then is

    the fool not dry: bid the dishonest man mend

    himself; if he mend, he is no longer dishonest; if

    he cannot, let the botcher mend him. Any thing

    that's mended is but patched: virtue that

    transgresses is but patched with sin; and sin that

    amends is but patched with virtue. If that this

    simple syllogism will serve, so; if it will not,

    what remedy? As there is no true cuckold but

    calamity, so beauty's a flower. The lady bade take

    away the fool; therefore, I say again, take her away.

 

OLIVIA

 

    Sir, I bade them take away you.

 

Clown

 

    Misprision in the highest degree! Lady, cucullus non

    facit monachum; that's as much to say as I wear not

    motley in my brain. Good madonna, give me leave to

    prove you a fool.

 

OLIVIA

 

    Can you do it?

 

Clown

 

    Dexterously, good madonna.

 

OLIVIA

 

    Make your proof.

 

Clown

 

    I must catechise you for it, madonna: good my mouse

    of virtue, answer me.

 

OLIVIA

 

    Well, sir, for want of other idleness, I'll bide your proof.

 

Clown

 

    Good madonna, why mournest thou?

 

OLIVIA

 

    Good fool, for my brother's death.

 

Clown

 

    I think his soul is in hell, madonna.

 

OLIVIA

 

    I know his soul is in heaven, fool.

 

Clown

 

    The more fool, madonna, to mourn for your brother's

    soul being in heaven. Take away the fool, gentlemen.

 

OLIVIA

 

    What think you of this fool, Malvolio? doth he not mend?

 

MALVOLIO

 

    Yes, and shall do till the pangs of death shake him:

    infirmity, that decays the wise, doth ever make the

    better fool.

 

Clown

 

    God send you, sir, a speedy infirmity, for the

    better increasing your folly! Sir Toby will be

    sworn that I am no fox; but he will not pass his

    word for two pence that you are no fool.

 

OLIVIA

 

    How say you to that, Malvolio?

 

MALVOLIO

 

    I marvel your ladyship takes delight in such a

    barren rascal: I saw him put down the other day

    with an ordinary fool that has no more brain

    than a stone. Look you now, he's out of his guard

    already; unless you laugh and minister occasion to

    him, he is gagged. I protest, I take these wise men,

    that crow so at these set kind of fools, no better

    than the fools' zanies.

 

OLIVIA

 

    Oh, you are sick of self-love, Malvolio, and taste

    with a distempered appetite. To be generous,

    guiltless and of free disposition, is to take those

    things for bird-bolts that you deem cannon-bullets:

    there is no slander in an allowed fool, though he do

    nothing but rail; nor no railing in a known discreet

    man, though he do nothing but reprove.

 

Clown

 

    Now Mercury endue thee with leasing, for thou

    speakest well of fools!

 

    Re-enter MARIA

 

MARIA

 

    Madam, there is at the gate a young gentleman much

    desires to speak with you.

 

OLIVIA

 

    From the Count Orsino, is it?

 

MARIA

 

    I know not, madam: 'tis a fair young man, and well attended.

 

OLIVIA

 

    Who of my people hold him in delay?

 

MARIA

 

    Sir Toby, madam, your kinsman.

 

OLIVIA

 

    Fetch him off, I pray you; he speaks nothing but

    madman: fie on him!

 

    Exit MARIA

    Go you, Malvolio: if it be a suit from the count, I

    am sick, or not at home; what you will, to dismiss it.

 

    Exit MALVOLIO

    Now you see, sir, how your fooling grows old, and

    people dislike it.

 

Clown

 

    Thou hast spoke for us, madonna, as if thy eldest

    son should be a fool; whose skull Jove cram with

    brains! for,--here he comes,--one of thy kin has a

    most weak pia mater.

 

    Enter SIR TOBY BELCH

 

OLIVIA

 

    By mine honour, half drunk. What is he at the gate, cousin?

 

SIR TOBY BELCH

 

    A gentleman.

 

OLIVIA

 

    A gentleman! what gentleman?

 

SIR TOBY BELCH

 

    'Tis a gentle man here--a plague o' these

    pickle-herring! How now, sot!

 

Clown

 

    Good Sir Toby!

 

OLIVIA

 

    Cousin, cousin, how have you come so early by this lethargy?

 

SIR TOBY BELCH

 

    Lechery! I defy lechery. There's one at the gate.

 

OLIVIA

 

    Ay, marry, what is he?

 

SIR TOBY BELCH

 

    Let him be the devil, an he will, I care not: give

    me faith, say I. Well, it's all one.

 

    Exit

 

OLIVIA

 

    What's a drunken man like, fool?

 

Clown

 

    Like a drowned man, a fool and a mad man: one

    draught above heat makes him a fool; the second mads

    him; and a third drowns him.

 

OLIVIA

 

    Go thou and seek the crowner, and let him sit o' my

    coz; for he's in the third degree of drink, he's

    drowned: go, look after him.

 

Clown

 

    He is but mad yet, madonna; and the fool shall look

    to the madman.

 

    Exit

 

    Re-enter MALVOLIO

 

MALVOLIO

 

    Madam, yond young fellow swears he will speak with

    you. I told him you were sick; he takes on him to

    understand so much, and therefore comes to speak

    with you. I told him you were asleep; he seems to

    have a foreknowledge of that too, and therefore

    comes to speak with you. What is to be said to him,

    lady? he's fortified against any denial.

 

OLIVIA

 

    Tell him he shall not speak with me.

 

MALVOLIO

 

    Has been told so; and he says, he'll stand at your

    door like a sheriff's post, and be the supporter to

    a bench, but he'll speak with you.

 

OLIVIA

 

    What kind o' man is he?

 

MALVOLIO

 

    Why, of mankind.

 

OLIVIA

 

    What manner of man?

 

MALVOLIO

 

    Of very ill manner; he'll speak with you, will you or no.

 

OLIVIA

 

    Of what personage and years is he?

 

MALVOLIO

 

    Not yet old enough for a man, nor young enough for

    a boy; as a squash is before 'tis a peascod, or a

    cooling when 'tis almost an apple: 'tis with him

    in standing water, between boy and man. He is very

    well-favoured and he speaks very shrewishly; one

    would think his mother's milk were scarce out of him.

 

OLIVIA

 

    Let him approach: call in my gentlewoman.

 

MALVOLIO

 

    Gentlewoman, my lady calls.

 

    Exit

 

    Re-enter MARIA

 

OLIVIA

 

    Give me my veil: come, throw it o'er my face.

    We'll once more hear Orsino's embassy.

 

    Enter VIOLA, and Attendants

 

VIOLA

 

    The honourable lady of the house, which is she?

 

OLIVIA

 

    Speak to me; I shall answer for her.

    Your will?

 

VIOLA

 

    Most radiant, exquisite and unmatchable beauty,--I

    pray you, tell me if this be the lady of the house,

    for I never saw her: I would be loath to cast away

    my speech, for besides that it is excellently well

    penned, I have taken great pains to con it. Good

    beauties, let me sustain no scorn; I am very

    comptible, even to the least sinister usage.

 

OLIVIA

 

    Whence came you, sir?

 

VIOLA

 

    I can say little more than I have studied, and that

    question's out of my part. Good gentle one, give me

    modest assurance if you be the lady of the house,

    that I may proceed in my speech.

 

OLIVIA

 

    Are you a comedian?

 

VIOLA

 

    No, my profound heart: and yet, by the very fangs

    of malice I swear, I am not that I play. Are you

    the lady of the house?

 

OLIVIA

 

    If I do not usurp myself, I am.

 

VIOLA

 

    Most certain, if you are she, you do usurp

    yourself; for what is yours to bestow is not yours

    to reserve. But this is from my commission: I will

    on with my speech in your praise, and then show you

    the heart of my message.

 

OLIVIA

 

    Come to what is important in't: I forgive you the praise.

 

VIOLA

 

    Alas, I took great pains to study it, and 'tis poetical.

 

OLIVIA

 

    It is the more like to be feigned: I pray you,

    keep it in. I heard you were saucy at my gates,

    and allowed your approach rather to wonder at you

    than to hear you. If you be not mad, be gone; if

    you have reason, be brief: 'tis not that time of

    moon with me to make one in so skipping a dialogue.

 

MARIA

 

    Will you hoist sail, sir? here lies your way.

 

VIOLA

 

    No, good swabber; I am to hull here a little

    longer. Some mollification for your giant, sweet

    lady. Tell me your mind: I am a messenger.

 

OLIVIA

 

    Sure, you have some hideous matter to deliver, when

    the courtesy of it is so fearful. Speak your office.

 

VIOLA

 

    It alone concerns your ear. I bring no overture of

    war, no taxation of homage: I hold the olive in my

    hand; my words are as fun of peace as matter.

 

OLIVIA

 

    Yet you began rudely. What are you? what would you?

 

VIOLA

 

    The rudeness that hath appeared in me have I

    learned from my entertainment. What I am, and what I

    would, are as secret as maidenhead; to your ears,

    divinity, to any other's, profanation.

 

OLIVIA

 

    Give us the place alone: we will hear this divinity.

 

    Exeunt MARIA and Attendants

    Now, sir, what is your text?

 

VIOLA

 

    Most sweet lady,--

 

OLIVIA

 

    A comfortable doctrine, and much may be said of it.

    Where lies your text?

 

VIOLA

 

    In Orsino's bosom.

 

OLIVIA

 

    In his bosom! In what chapter of his bosom?

 

VIOLA

 

    To answer by the method, in the first of his heart.

 

OLIVIA

 

    O, I have read it: it is heresy. Have you no more to say?

 

VIOLA

 

    Good madam, let me see your face.

 

OLIVIA

 

    Have you any commission from your lord to negotiate

    with my face? You are now out of your text: but

    we will draw the curtain and show you the picture.

    Look you, sir, such a one I was this present: is't

    not well done?

 

    Unveiling

 

VIOLA

 

    Excellently done, if God did all.

 

OLIVIA

 

    'Tis in grain, sir; 'twill endure wind and weather.

 

VIOLA

 

    'Tis beauty truly blent, whose red and white

    Nature's own sweet and cunning hand laid on:

    Lady, you are the cruell'st she alive,

    If you will lead these graces to the grave

    And leave the world no copy.

 

OLIVIA

 

    O, sir, I will not be so hard-hearted; I will give

    out divers schedules of my beauty: it shall be

    inventoried, and every particle and utensil

    labelled to my will: as, item, two lips,

    indifferent red; item, two grey eyes, with lids to

    them; item, one neck, one chin, and so forth. Were

    you sent hither to praise me?

 

VIOLA

 

    I see you what you are, you are too proud;

    But, if you were the devil, you are fair.

    My lord and master loves you: O, such love

    Could be but recompensed, though you were crown'd

    The nonpareil of beauty!

 

OLIVIA

 

    How does he love me?

 

VIOLA

 

    With adorations, fertile tears,

    With groans that thunder love, with sighs of fire.

 

OLIVIA

 

    Your lord does know my mind; I cannot love him:

    Yet I suppose him virtuous, know him noble,

    Of great estate, of fresh and stainless youth;

    In voices well divulged, free, learn'd and valiant;

    And in dimension and the shape of nature

    A gracious person: but yet I cannot love him;

    He might have took his answer long ago.

 

VIOLA

 

    If I did love you in my master's flame,

    With such a suffering, such a deadly life,

    In your denial I would find no sense;

    I would not understand it.

 

OLIVIA

 

    Why, what would you?

 

VIOLA

 

    Make me a willow cabin at your gate,

    And call upon my soul within the house;

    Write loyal cantons of contemned love

    And sing them loud even in the dead of night;

    Halloo your name to the reverberate hills

    And make the babbling gossip of the air

    Cry out 'Olivia!' O, You should not rest

    Between the elements of air and earth,

    But you should pity me!

 

OLIVIA

 

    You might do much.

    What is your parentage?

 

VIOLA

 

    Above my fortunes, yet my state is well:

    I am a gentleman.

 

OLIVIA

 

    Get you to your lord;

    I cannot love him: let him send no more;

    Unless, perchance, you come to me again,

    To tell me how he takes it. Fare you well:

    I thank you for your pains: spend this for me.

 

VIOLA

 

    I am no fee'd post, lady; keep your purse:

    My master, not myself, lacks recompense.

    Love make his heart of flint that you shall love;

    And let your fervor, like my master's, be

    Placed in contempt! Farewell, fair cruelty.

 

    Exit

 

OLIVIA

 

    'What is your parentage?'

    'Above my fortunes, yet my state is well:

    I am a gentleman.' I'll be sworn thou art;

    Thy tongue, thy face, thy limbs, actions and spirit,

    Do give thee five-fold blazon: not too fast:

    soft, soft!

    Unless the master were the man. How now!

    Even so quickly may one catch the plague?

    Methinks I feel this youth's perfections

    With an invisible and subtle stealth

    To creep in at mine eyes. Well, let it be.

    What ho, Malvolio!

 

    Re-enter MALVOLIO

 

MALVOLIO

 

    Here, madam, at your service.

 

OLIVIA

 

    Run after that same peevish messenger,

    The county's man: he left this ring behind him,

    Would I or not: tell him I'll none of it.

    Desire him not to flatter with his lord,

    Nor hold him up with hopes; I am not for him:

    If that the youth will come this way to-morrow,

    I'll give him reasons for't: hie thee, Malvolio.

 

MALVOLIO

 

    Madam, I will.

 

    Exit

 

OLIVIA

 

    I do I know not what, and fear to find

    Mine eye too great a flatterer for my mind.

    Fate, show thy force: ourselves we do not owe;

    What is decreed must be, and be this so.

 

    Exit

 


ACT II

SCENE I. The sea-coast.

 

    Enter ANTONIO and SEBASTIAN

 

ANTONIO

 

    Will you stay no longer? nor will you not that I go with you?

 

SEBASTIAN

 

    By your patience, no. My stars shine darkly over

    me: the malignancy of my fate might perhaps

    distemper yours; therefore I shall crave of you your

    leave that I may bear my evils alone: it were a bad

    recompense for your love, to lay any of them on you.

    ANTONIO: Let me yet know of you whither you are bound.

 

SEBASTIAN

 

    No, sooth, sir: my determinate voyage is mere

    extravagancy. But I perceive in you so excellent a

    touch of modesty, that you will not extort from me

    what I am willing to keep in; therefore it charges

    me in manners the rather to express myself. You

    must know of me then, Antonio, my name is Sebastian,

    which I called Roderigo. My father was that

    Sebastian of Messaline, whom I know you have heard

    of. He left behind him myself and a sister, both

    born in an hour: if the heavens had been pleased,

    would we had so ended! but you, sir, altered that;

    for some hour before you took me from the breach of

    the sea was my sister drowned.

 

ANTONIO

 

    Alas the day!

 

SEBASTIAN

 

    A lady, sir, though it was said she much resembled

    me, was yet of many accounted beautiful: but,

    though I could not with such estimable wonder

    overfar believe that, yet thus far I will boldly

    publish her; she bore a mind that envy could not but

    call fair. She is drowned already, sir, with salt

    water, though I seem to drown her remembrance again with more.

 

ANTONIO

 

    Pardon me, sir, your bad entertainment.

 

SEBASTIAN

 

    O good Antonio, forgive me your trouble.

 

ANTONIO

 

    If you will not murder me for my love, let me be

    your servant.

 

SEBASTIAN

 

    If you will not undo what you have done, that is,

    kill him whom you have recovered, desire it not.

    Fare ye well at once: my bosom is full of kindness,

    and I am yet so near the manners of my mother, that

    upon the least occasion more mine eyes will tell

    tales of me. I am bound to the Count Orsino's court: farewell.

 

    Exit

 

ANTONIO

 

    The gentleness of all the gods go with thee!

    I have many enemies in Orsino's court,

    Else would I very shortly see thee there.

    But, come what may, I do adore thee so,

    That danger shall seem sport, and I will go.

 

    Exit

 


SCENE II. A street.

 

    Enter VIOLA, MALVOLIO following

 

MALVOLIO

 

    Were not you even now with the Countess Olivia?

 

VIOLA

 

    Even now, sir; on a moderate pace I have since

    arrived but hither.

 

MALVOLIO

 

    She returns this ring to you, sir: you might have

    saved me my pains, to have taken it away yourself.

    She adds, moreover, that you should put your lord

    into a desperate assurance she will none of him:

    and one thing more, that you be never so hardy to

    come again in his affairs, unless it be to report

    your lord's taking of this. Receive it so.

 

VIOLA

 

    She took the ring of me: I'll none of it.

 

MALVOLIO

 

    Come, sir, you peevishly threw it to her; and her

    will is, it should be so returned: if it be worth

    stooping for, there it lies in your eye; if not, be

    it his that finds it.

 

    Exit

 

VIOLA

 

    I left no ring with her: what means this lady?

    Fortune forbid my outside have not charm'd her!

    She made good view of me; indeed, so much,

    That sure methought her eyes had lost her tongue,

    For she did speak in starts distractedly.

    She loves me, sure; the cunning of her passion

    Invites me in this churlish messenger.

    None of my lord's ring! why, he sent her none.

    I am the man: if it be so, as 'tis,

    Poor lady, she were better love a dream.

    Disguise, I see, thou art a wickedness,

    Wherein the pregnant enemy does much.

    How easy is it for the proper-false

    In women's waxen hearts to set their forms!

    Alas, our frailty is the cause, not we!

    For such as we are made of, such we be.

    How will this fadge? my master loves her dearly;

    And I, poor monster, fond as much on him;

    And she, mistaken, seems to dote on me.

    What will become of this? As I am man,

    My state is desperate for my master's love;

    As I am woman,--now alas the day!--

    What thriftless sighs shall poor Olivia breathe!

    O time! thou must untangle this, not I;

    It is too hard a knot for me to untie!

 

    Exit

 


SCENE III. OLIVIA's house.

 

    Enter SIR TOBY BELCH and SIR ANDREW

 

SIR TOBY BELCH

 

    Approach, Sir Andrew: not to be abed after

    midnight is to be up betimes; and 'diluculo

    surgere,' thou know'st,--

 

SIR ANDREW

 

    Nay, my troth, I know not: but I know, to be up

    late is to be up late.

 

SIR TOBY BELCH

 

    A false conclusion: I hate it as an unfilled can.

    To be up after midnight and to go to bed then, is

    early: so that to go to bed after midnight is to go

    to bed betimes. Does not our life consist of the

    four elements?

 

SIR ANDREW

 

    Faith, so they say; but I think it rather consists

    of eating and drinking.

 

SIR TOBY BELCH

 

    Thou'rt a scholar; let us therefore eat and drink.

    Marian, I say! a stoup of wine!

 

    Enter Clown

 

SIR ANDREW

 

    Here comes the fool, i' faith.

 

Clown

 

    How now, my hearts! did you never see the picture

    of 'we three'?

 

SIR TOBY BELCH

 

    Welcome, ass. Now let's have a catch.

 

SIR ANDREW

 

    By my troth, the fool has an excellent breast. I

    had rather than forty shillings I had such a leg,

    and so sweet a breath to sing, as the fool has. In

    sooth, thou wast in very gracious fooling last

    night, when thou spokest of Pigrogromitus, of the

    Vapians passing the equinoctial of Queubus: 'twas

    very good, i' faith. I sent thee sixpence for thy

    leman: hadst it?

 

Clown

 

    I did impeticos thy gratillity; for Malvolio's nose

    is no whipstock: my lady has a white hand, and the

    Myrmidons are no bottle-ale houses.

 

SIR ANDREW

 

    Excellent! why, this is the best fooling, when all

    is done. Now, a song.

 

SIR TOBY BELCH

 

    Come on; there is sixpence for you: let's have a song.

 

SIR ANDREW

 

    There's a testril of me too: if one knight give a--

 

Clown

 

    Would you have a love-song, or a song of good life?

 

SIR TOBY BELCH

 

    A love-song, a love-song.

 

SIR ANDREW

 

    Ay, ay: I care not for good life.

 

Clown

 

    [Sings]

    O mistress mine, where are you roaming?

    O, stay and hear; your true love's coming,

    That can sing both high and low:

    Trip no further, pretty sweeting;

    Journeys end in lovers meeting,

    Every wise man's son doth know.

 

SIR ANDREW

 

    Excellent good, i' faith.

 

SIR TOBY BELCH

 

    Good, good.

 

Clown

 

    [Sings]

    What is love? 'tis not hereafter;

    Present mirth hath present laughter;

    What's to come is still unsure:

    In delay there lies no plenty;

    Then come kiss me, sweet and twenty,

    Youth's a stuff will not endure.

 

SIR ANDREW

 

    A mellifluous voice, as I am true knight.

 

SIR TOBY BELCH

 

    A contagious breath.

 

SIR ANDREW

 

    Very sweet and contagious, i' faith.

 

SIR TOBY BELCH

 

    To hear by the nose, it is dulcet in contagion.

    But shall we make the welkin dance indeed? shall we

    rouse the night-owl in a catch that will draw three

    souls out of one weaver? shall we do that?

 

SIR ANDREW

 

    An you love me, let's do't: I am dog at a catch.

 

Clown

 

    By'r lady, sir, and some dogs will catch well.

 

SIR ANDREW

 

    Most certain. Let our catch be, 'Thou knave.'

 

Clown

 

    'Hold thy peace, thou knave,' knight? I shall be

    constrained in't to call thee knave, knight.

 

SIR ANDREW

 

    'Tis not the first time I have constrained one to

    call me knave. Begin, fool: it begins 'Hold thy peace.'

 

Clown

 

    I shall never begin if I hold my peace.

 

SIR ANDREW

 

    Good, i' faith. Come, begin.

 

    Catch sung

 

    Enter MARIA

 

MARIA

 

    What a caterwauling do you keep here! If my lady

    have not called up her steward Malvolio and bid him

    turn you out of doors, never trust me.

 

SIR TOBY BELCH

 

    My lady's a Cataian, we are politicians, Malvolio's

    a Peg-a-Ramsey, and 'Three merry men be we.' Am not

    I consanguineous? am I not of her blood?

    Tillyvally. Lady!

 

    Sings

    'There dwelt a man in Babylon, lady, lady!'

 

Clown

 

    Beshrew me, the knight's in admirable fooling.

 

SIR ANDREW

 

    Ay, he does well enough if he be disposed, and so do

    I too: he does it with a better grace, but I do it

    more natural.

 

SIR TOBY BELCH

 

    [Sings] 'O, the twelfth day of December,'--

 

MARIA

 

    For the love o' God, peace!

 

    Enter MALVOLIO

 

MALVOLIO

 

    My masters, are you mad? or what are you? Have ye

    no wit, manners, nor honesty, but to gabble like

    tinkers at this time of night? Do ye make an

    alehouse of my lady's house, that ye squeak out your

    coziers' catches without any mitigation or remorse

    of voice? Is there no respect of place, persons, nor

    time in you?

 

SIR TOBY BELCH

 

    We did keep time, sir, in our catches. Sneck up!

 

MALVOLIO

 

    Sir Toby, I must be round with you. My lady bade me

    tell you, that, though she harbours you as her

    kinsman, she's nothing allied to your disorders. If

    you can separate yourself and your misdemeanors, you

    are welcome to the house; if not, an it would please

    you to take leave of her, she is very willing to bid

    you farewell.

 

SIR TOBY BELCH

 

    'Farewell, dear heart, since I must needs be gone.'

 

MARIA

 

    Nay, good Sir Toby.

 

Clown

 

    'His eyes do show his days are almost done.'

 

MALVOLIO

 

    Is't even so?

 

SIR TOBY BELCH

 

    'But I will never die.'

 

Clown

 

    Sir Toby, there you lie.

 

MALVOLIO

 

    This is much credit to you.

 

SIR TOBY BELCH

 

    'Shall I bid him go?'

 

Clown

 

    'What an if you do?'

 

SIR TOBY BELCH

 

    'Shall I bid him go, and spare not?'

 

Clown

 

    'O no, no, no, no, you dare not.'

 

SIR TOBY BELCH

 

    Out o' tune, sir: ye lie. Art any more than a

    steward? Dost thou think, because thou art

    virtuous, there shall be no more cakes and ale?

 

Clown

 

    Yes, by Saint Anne, and ginger shall be hot i' the

    mouth too.

 

SIR TOBY BELCH

 

    Thou'rt i' the right. Go, sir, rub your chain with

    crumbs. A stoup of wine, Maria!

 

MALVOLIO

 

    Mistress Mary, if you prized my lady's favour at any

    thing more than contempt, you would not give means

    for this uncivil rule: she shall know of it, by this hand.

 

    Exit

 

MARIA

 

    Go shake your ears.

 

SIR ANDREW

 

    'Twere as good a deed as to drink when a man's

    a-hungry, to challenge him the field, and then to

    break promise with him and make a fool of him.

 

SIR TOBY BELCH

 

    Do't, knight: I'll write thee a challenge: or I'll

    deliver thy indignation to him by word of mouth.

 

MARIA

 

    Sweet Sir Toby, be patient for tonight: since the

    youth of the count's was today with thy lady, she is

    much out of quiet. For Monsieur Malvolio, let me

    alone with him: if I do not gull him into a

    nayword, and make him a common recreation, do not

    think I have wit enough to lie straight in my bed:

    I know I can do it.

 

SIR TOBY BELCH

 

    Possess us, possess us; tell us something of him.

 

MARIA

 

    Marry, sir, sometimes he is a kind of puritan.

 

SIR ANDREW

 

    O, if I thought that I'ld beat him like a dog!

 

SIR TOBY BELCH

 

    What, for being a puritan? thy exquisite reason,

    dear knight?

 

SIR ANDREW

 

    I have no exquisite reason for't, but I have reason

    good enough.

 

MARIA

 

    The devil a puritan that he is, or any thing

    constantly, but a time-pleaser; an affectioned ass,

    that cons state without book and utters it by great

    swarths: the best persuaded of himself, so

    crammed, as he thinks, with excellencies, that it is

    his grounds of faith that all that look on him love

    him; and on that vice in him will my revenge find

    notable cause to work.

 

SIR TOBY BELCH

 

    What wilt thou do?

 

MARIA

 

    I will drop in his way some obscure epistles of

    love; wherein, by the colour of his beard, the shape

    of his leg, the manner of his gait, the expressure

    of his eye, forehead, and complexion, he shall find

    himself most feelingly personated. I can write very

    like my lady your niece: on a forgotten matter we

    can hardly make distinction of our hands.

 

SIR TOBY BELCH

 

    Excellent! I smell a device.

 

SIR ANDREW

 

    I have't in my nose too.

 

SIR TOBY BELCH

 

    He shall think, by the letters that thou wilt drop,

    that they come from my niece, and that she's in

    love with him.

 

MARIA

 

    My purpose is, indeed, a horse of that colour.

 

SIR ANDREW

 

    And your horse now would make him an ass.

 

MARIA

 

    Ass, I doubt not.

 

SIR ANDREW

 

    O, 'twill be admirable!

 

MARIA

 

    Sport royal, I warrant you: I know my physic will

    work with him. I will plant you two, and let the

    fool make a third, where he shall find the letter:

    observe his construction of it. For this night, to

    bed, and dream on the event. Farewell.

 

    Exit

 

SIR TOBY BELCH

 

    Good night, Penthesilea.

 

SIR ANDREW

 

    Before me, she's a good wench.

 

SIR TOBY BELCH

 

    She's a beagle, true-bred, and one that adores me:

    what o' that?

 

SIR ANDREW

 

    I was adored once too.

 

SIR TOBY BELCH

 

    Let's to bed, knight. Thou hadst need send for

    more money.

 

SIR ANDREW

 

    If I cannot recover your niece, I am a foul way out.

 

SIR TOBY BELCH

 

    Send for money, knight: if thou hast her not i'

    the end, call me cut.

 

SIR ANDREW

 

    If I do not, never trust me, take it how you will.

 

SIR TOBY BELCH

 

    Come, come, I'll go burn some sack; 'tis too late

    to go to bed now: come, knight; come, knight.

 

    Exeunt

 


SCENE IV. DUKE ORSINO's palace.

 

    Enter DUKE ORSINO, VIOLA, CURIO, and others

 

DUKE ORSINO

 

    Give me some music. Now, good morrow, friends.

    Now, good Cesario, but that piece of song,

    That old and antique song we heard last night:

    Methought it did relieve my passion much,

    More than light airs and recollected terms

    Of these most brisk and giddy-paced times:

    Come, but one verse.

 

CURIO

 

    He is not here, so please your lordship that should sing it.

 

DUKE ORSINO

 

    Who was it?

 

CURIO

 

    Feste, the jester, my lord; a fool that the lady

    Olivia's father took much delight in. He is about the house.

 

DUKE ORSINO

 

    Seek him out, and play the tune the while.

 

    Exit CURIO. Music plays

    Come hither, boy: if ever thou shalt love,

    In the sweet pangs of it remember me;

    For such as I am all true lovers are,

    Unstaid and skittish in all motions else,

    Save in the constant image of the creature

    That is beloved. How dost thou like this tune?

 

VIOLA

 

    It gives a very echo to the seat

    Where Love is throned.

 

DUKE ORSINO

 

    Thou dost speak masterly:

    My life upon't, young though thou art, thine eye

    Hath stay'd upon some favour that it loves:

    Hath it not, boy?

 

VIOLA

 

    A little, by your favour.

 

DUKE ORSINO

 

    What kind of woman is't?

 

VIOLA

 

    Of your complexion.

 

DUKE ORSINO

 

    She is not worth thee, then. What years, i' faith?

 

VIOLA

 

    About your years, my lord.

 

DUKE ORSINO

 

    Too old by heaven: let still the woman take

    An elder than herself: so wears she to him,

    So sways she level in her husband's heart:

    For, boy, however we do praise ourselves,

    Our fancies are more giddy and unfirm,

    More longing, wavering, sooner lost and worn,

    Than women's are.

 

VIOLA

 

    I think it well, my lord.

 

DUKE ORSINO

 

    Then let thy love be younger than thyself,

    Or thy affection cannot hold the bent;

    For women are as roses, whose fair flower

    Being once display'd, doth fall that very hour.

 

VIOLA

 

    And so they are: alas, that they are so;

    To die, even when they to perfection grow!

 

    Re-enter CURIO and Clown

 

DUKE ORSINO

 

    O, fellow, come, the song we had last night.

    Mark it, Cesario, it is old and plain;

    The spinsters and the knitters in the sun

    And the free maids that weave their thread with bones

    Do use to chant it: it is silly sooth,

    And dallies with the innocence of love,

    Like the old age.

 

Clown

 

    Are you ready, sir?

 

DUKE ORSINO

 

    Ay; prithee, sing.

 

    Music

    SONG.

 

Clown

 

    Come away, come away, death,

    And in sad cypress let me be laid;

    Fly away, fly away breath;

    I am slain by a fair cruel maid.

    My shroud of white, stuck all with yew,

    O, prepare it!

    My part of death, no one so true

    Did share it.

    Not a flower, not a flower sweet

    On my black coffin let there be strown;

    Not a friend, not a friend greet

    My poor corpse, where my bones shall be thrown:

    A thousand thousand sighs to save,

    Lay me, O, where

    Sad true lover never find my grave,

    To weep there!

 

DUKE ORSINO

 

    There's for thy pains.

 

Clown

 

    No pains, sir: I take pleasure in singing, sir.

 

DUKE ORSINO

 

    I'll pay thy pleasure then.

 

Clown

 

    Truly, sir, and pleasure will be paid, one time or another.

 

DUKE ORSINO

 

    Give me now leave to leave thee.

 

Clown

 

    Now, the melancholy god protect thee; and the

    tailor make thy doublet of changeable taffeta, for

    thy mind is a very opal. I would have men of such

    constancy put to sea, that their business might be

    every thing and their intent every where; for that's

    it that always makes a good voyage of nothing. Farewell.

 

    Exit

 

DUKE ORSINO

 

    Let all the rest give place.

 

    CURIO and Attendants retire

    Once more, Cesario,

    Get thee to yond same sovereign cruelty:

    Tell her, my love, more noble than the world,

    Prizes not quantity of dirty lands;

    The parts that fortune hath bestow'd upon her,

    Tell her, I hold as giddily as fortune;

    But 'tis that miracle and queen of gems

    That nature pranks her in attracts my soul.

 

VIOLA

 

    But if she cannot love you, sir?

 

DUKE ORSINO

 

    I cannot be so answer'd.

 

VIOLA

 

    Sooth, but you must.

    Say that some lady, as perhaps there is,

    Hath for your love a great a pang of heart

    As you have for Olivia: you cannot love her;

    You tell her so; must she not then be answer'd?

 

DUKE ORSINO

 

    There is no woman's sides

    Can bide the beating of so strong a passion

    As love doth give my heart; no woman's heart

    So big, to hold so much; they lack retention

    Alas, their love may be call'd appetite,

    No motion of the liver, but the palate,

    That suffer surfeit, cloyment and revolt;

    But mine is all as hungry as the sea,

    And can digest as much: make no compare

    Between that love a woman can bear me

    And that I owe Olivia.

 

VIOLA

 

    Ay, but I know--

 

DUKE ORSINO

 

    What dost thou know?

 

VIOLA

 

    Too well what love women to men may owe:

    In faith, they are as true of heart as we.

    My father had a daughter loved a man,

    As it might be, perhaps, were I a woman,

    I should your lordship.

 

DUKE ORSINO

 

    And what's her history?

 

VIOLA

 

    A blank, my lord. She never told her love,

    But let concealment, like a worm i' the bud,

    Feed on her damask cheek: she pined in thought,

    And with a green and yellow melancholy

    She sat like patience on a monument,

    Smiling at grief. Was not this love indeed?

    We men may say more, swear more: but indeed

    Our shows are more than will; for still we prove

    Much in our vows, but little in our love.

 

DUKE ORSINO

 

    But died thy sister of her love, my boy?

 

VIOLA

 

    I am all the daughters of my father's house,

    And all the brothers too: and yet I know not.

    Sir, shall I to this lady?

 

DUKE ORSINO

 

    Ay, that's the theme.

    To her in haste; give her this jewel; say,

    My love can give no place, bide no denay.

 

    Exeunt

 


SCENE V. OLIVIA's garden.

 

    Enter SIR TOBY BELCH, SIR ANDREW, and FABIAN

 

SIR TOBY BELCH

 

    Come thy ways, Signior Fabian.

 

FABIAN

 

    Nay, I'll come: if I lose a scruple of this sport,

    let me be boiled to death with melancholy.

 

SIR TOBY BELCH

 

    Wouldst thou not be glad to have the niggardly

    rascally sheep-biter come by some notable shame?

 

FABIAN

 

    I would exult, man: you know, he brought me out o'

    favour with my lady about a bear-baiting here.

 

SIR TOBY BELCH

 

    To anger him we'll have the bear again; and we will

    fool him black and blue: shall we not, Sir Andrew?

 

SIR ANDREW

 

    An we do not, it is pity of our lives.

 

SIR TOBY BELCH

 

    Here comes the little villain.

 

    Enter MARIA

    How now, my metal of India!

 

MARIA

 

    Get ye all three into the box-tree: Malvolio's

    coming down this walk: he has been yonder i' the

    sun practising behavior to his own shadow this half

    hour: observe him, for the love of mockery; for I

    know this letter will make a contemplative idiot of

    him. Close, in the name of jesting! Lie thou there,

 

    Throws down a letter

    for here comes the trout that must be caught with tickling.

 

    Exit

 

    Enter MALVOLIO

 

MALVOLIO

 

    'Tis but fortune; all is fortune. Maria once told

    me she did affect me: and I have heard herself come

    thus near, that, should she fancy, it should be one

    of my complexion. Besides, she uses me with a more

    exalted respect than any one else that follows her.

    What should I think on't?

 

SIR TOBY BELCH

 

    Here's an overweening rogue!

 

FABIAN

 

    O, peace! Contemplation makes a rare turkey-cock

    of him: how he jets under his advanced plumes!

 

SIR ANDREW

 

    'Slight, I could so beat the rogue!

 

SIR TOBY BELCH

 

    Peace, I say.

 

MALVOLIO

 

    To be Count Malvolio!

 

SIR TOBY BELCH

 

    Ah, rogue!

 

SIR ANDREW

 

    Pistol him, pistol him.

 

SIR TOBY BELCH

 

    Peace, peace!

 

MALVOLIO

 

    There is example for't; the lady of the Strachy

    married the yeoman of the wardrobe.

 

SIR ANDREW

 

    Fie on him, Jezebel!

 

FABIAN

 

    O, peace! now he's deeply in: look how

    imagination blows him.

 

MALVOLIO

 

    Having been three months married to her, sitting in

    my state,--

 

SIR TOBY BELCH

 

    O, for a stone-bow, to hit him in the eye!

 

MALVOLIO

 

    Calling my officers about me, in my branched velvet

    gown; having come from a day-bed, where I have left

    Olivia sleeping,--

 

SIR TOBY BELCH

 

    Fire and brimstone!

 

FABIAN

 

    O, peace, peace!

 

MALVOLIO

 

    And then to have the humour of state; and after a

    demure travel of regard, telling them I know my

    place as I would they should do theirs, to for my

    kinsman Toby,--

 

SIR TOBY BELCH

 

    Bolts and shackles!

 

FABIAN

 

    O peace, peace, peace! now, now.

 

MALVOLIO

 

    Seven of my people, with an obedient start, make

    out for him: I frown the while; and perchance wind

    up watch, or play with my--some rich jewel. Toby

    approaches; courtesies there to me,--

 

SIR TOBY BELCH

 

    Shall this fellow live?

 

FABIAN

 

    Though our silence be drawn from us with cars, yet peace.

 

MALVOLIO

 

    I extend my hand to him thus, quenching my familiar

    smile with an austere regard of control,--

 

SIR TOBY BELCH

 

    And does not Toby take you a blow o' the lips then?

 

MALVOLIO

 

    Saying, 'Cousin Toby, my fortunes having cast me on

    your niece give me this prerogative of speech,'--

 

SIR TOBY BELCH

 

    What, what?

 

MALVOLIO

 

    'You must amend your drunkenness.'

 

SIR TOBY BELCH

 

    Out, scab!

 

FABIAN

 

    Nay, patience, or we break the sinews of our plot.

 

MALVOLIO

 

    'Besides, you waste the treasure of your time with

    a foolish knight,'--

 

SIR ANDREW

 

    That's me, I warrant you.

 

MALVOLIO

 

    'One Sir Andrew,'--

 

SIR ANDREW

 

    I knew 'twas I; for many do call me fool.

 

MALVOLIO

 

    What employment have we here?

 

    Taking up the letter

 

FABIAN

 

    Now is the woodcock near the gin.

 

SIR TOBY BELCH

 

    O, peace! and the spirit of humour intimate reading

    aloud to him!

 

MALVOLIO

 

    By my life, this is my lady's hand these be her

    very C's, her U's and her T's and thus makes she her

    great P's. It is, in contempt of question, her hand.

 

SIR ANDREW

 

    Her C's, her U's and her T's: why that?

 

MALVOLIO

 

    [Reads] 'To the unknown beloved, this, and my good

    wishes:'--her very phrases! By your leave, wax.

    Soft! and the impressure her Lucrece, with which she

    uses to seal: 'tis my lady. To whom should this be?

 

FABIAN

 

    This wins him, liver and all.

 

MALVOLIO

 

    [Reads]

    Jove knows I love: But who?

    Lips, do not move;

    No man must know.

    'No man must know.' What follows? the numbers

    altered! 'No man must know:' if this should be

    thee, Malvolio?

 

SIR TOBY BELCH

 

    Marry, hang thee, brock!

 

MALVOLIO

 

    [Reads]

    I may command where I adore;

    But silence, like a Lucrece knife,

    With bloodless stroke my heart doth gore:

    M, O, A, I, doth sway my life.

 

FABIAN

 

    A fustian riddle!

 

SIR TOBY BELCH

 

    Excellent wench, say I.

 

MALVOLIO

 

    'M, O, A, I, doth sway my life.' Nay, but first, let

    me see, let me see, let me see.

 

FABIAN

 

    What dish o' poison has she dressed him!

 

SIR TOBY BELCH

 

    And with what wing the staniel cheques at it!

 

MALVOLIO

 

    'I may command where I adore.' Why, she may command

    me: I serve her; she is my lady. Why, this is

    evident to any formal capacity; there is no

    obstruction in this: and the end,--what should

    that alphabetical position portend? If I could make

    that resemble something in me,--Softly! M, O, A,

    I,--

 

SIR TOBY BELCH

 

    O, ay, make up that: he is now at a cold scent.

 

FABIAN

 

    Sowter will cry upon't for all this, though it be as

    rank as a fox.

 

MALVOLIO

 

    M,--Malvolio; M,--why, that begins my name.

 

FABIAN

 

    Did not I say he would work it out? the cur is

    excellent at faults.

 

MALVOLIO

 

    M,--but then there is no consonancy in the sequel;

    that suffers under probation A should follow but O does.

 

FABIAN

 

    And O shall end, I hope.

 

SIR TOBY BELCH

 

    Ay, or I'll cudgel him, and make him cry O!

 

MALVOLIO

 

    And then I comes behind.

 

FABIAN

 

    Ay, an you had any eye behind you, you might see

    more detraction at your heels than fortunes before

    you.

 

MALVOLIO

 

    M, O, A, I; this simulation is not as the former: and

    yet, to crush this a little, it would bow to me, for

    every one of these letters are in my name. Soft!

    here follows prose.

 

    Reads

    'If this fall into thy hand, revolve. In my stars I

    am above thee; but be not afraid of greatness: some

    are born great, some achieve greatness, and some

    have greatness thrust upon 'em. Thy Fates open

    their hands; let thy blood and spirit embrace them;

    and, to inure thyself to what thou art like to be,

    cast thy humble slough and appear fresh. Be

    opposite with a kinsman, surly with servants; let

    thy tongue tang arguments of state; put thyself into

    the trick of singularity: she thus advises thee

    that sighs for thee. Remember who commended thy

    yellow stockings, and wished to see thee ever

    cross-gartered: I say, remember. Go to, thou art

    made, if thou desirest to be so; if not, let me see

    thee a steward still, the fellow of servants, and

    not worthy to touch Fortune's fingers. Farewell.

    She that would alter services with thee,

    THE FORTUNATE-UNHAPPY.'

    Daylight and champaign discovers not more: this is

    open. I will be proud, I will read politic authors,

    I will baffle Sir Toby, I will wash off gross

    acquaintance, I will be point-devise the very man.

    I do not now fool myself, to let imagination jade

    me; for every reason excites to this, that my lady

    loves me. She did commend my yellow stockings of

    late, she did praise my leg being cross-gartered;

    and in this she manifests herself to my love, and

    with a kind of injunction drives me to these habits

    of her liking. I thank my stars I am happy. I will

    be strange, stout, in yellow stockings, and

    cross-gartered, even with the swiftness of putting

    on. Jove and my stars be praised! Here is yet a

    postscript.

 

    Reads

    'Thou canst not choose but know who I am. If thou

    entertainest my love, let it appear in thy smiling;

    thy smiles become thee well; therefore in my

    presence still smile, dear my sweet, I prithee.'

    Jove, I thank thee: I will smile; I will do

    everything that thou wilt have me.

 

    Exit

 

FABIAN

 

    I will not give my part of this sport for a pension

    of thousands to be paid from the Sophy.

 

SIR TOBY BELCH

 

    I could marry this wench for this device.

 

SIR ANDREW

 

    So could I too.

 

SIR TOBY BELCH

 

    And ask no other dowry with her but such another jest.

 

SIR ANDREW

 

    Nor I neither.

 

FABIAN

 

    Here comes my noble gull-catcher.

 

    Re-enter MARIA

 

SIR TOBY BELCH

 

    Wilt thou set thy foot o' my neck?

 

SIR ANDREW

 

    Or o' mine either?

 

SIR TOBY BELCH

 

    Shall I play my freedom at traytrip, and become thy

    bond-slave?

 

SIR ANDREW

 

    I' faith, or I either?

 

SIR TOBY BELCH

 

    Why, thou hast put him in such a dream, that when

    the image of it leaves him he must run mad.

 

MARIA

 

    Nay, but say true; does it work upon him?

 

SIR TOBY BELCH

 

    Like aqua-vitae with a midwife.

 

MARIA

 

    If you will then see the fruits of the sport, mark

    his first approach before my lady: he will come to

    her in yellow stockings, and 'tis a colour she

    abhors, and cross-gartered, a fashion she detests;

    and he will smile upon her, which will now be so

    unsuitable to her disposition, being addicted to a

    melancholy as she is, that it cannot but turn him

    into a notable contempt. If you will see it, follow

    me.

 

SIR TOBY BELCH

 

    To the gates of Tartar, thou most excellent devil of wit!

 

SIR ANDREW

 

    I'll make one too.

 

    Exeunt

 


ACT III

SCENE I. OLIVIA's garden.

 

    Enter VIOLA, and Clown with a tabour

 

VIOLA

 

    Save thee, friend, and thy music: dost thou live by

    thy tabour?

 

Clown

 

    No, sir, I live by the church.

 

VIOLA

 

    Art thou a churchman?

 

Clown

 

    No such matter, sir: I do live by the church; for

    I do live at my house, and my house doth stand by

    the church.

 

VIOLA

 

    So thou mayst say, the king lies by a beggar, if a

    beggar dwell near him; or, the church stands by thy

    tabour, if thy tabour stand by the church.

 

Clown

 

    You have said, sir. To see this age! A sentence is

    but a cheveril glove to a good wit: how quickly the

    wrong side may be turned outward!

 

VIOLA

 

    Nay, that's certain; they that dally nicely with

    words may quickly make them wanton.

 

Clown

 

    I would, therefore, my sister had had no name, sir.

 

VIOLA

 

    Why, man?

 

Clown

 

    Why, sir, her name's a word; and to dally with that

    word might make my sister wanton. But indeed words

    are very rascals since bonds disgraced them.

 

VIOLA

 

    Thy reason, man?

 

Clown

 

    Troth, sir, I can yield you none without words; and

    words are grown so false, I am loath to prove

    reason with them.

 

VIOLA

 

    I warrant thou art a merry fellow and carest for nothing.

 

Clown

 

    Not so, sir, I do care for something; but in my

    conscience, sir, I do not care for you: if that be

    to care for nothing, sir, I would it would make you invisible.

 

VIOLA

 

    Art not thou the Lady Olivia's fool?

 

Clown

 

    No, indeed, sir; the Lady Olivia has no folly: she

    will keep no fool, sir, till she be married; and

    fools are as like husbands as pilchards are to

    herrings; the husband's the bigger: I am indeed not

    her fool, but her corrupter of words.

 

VIOLA

 

    I saw thee late at the Count Orsino's.

 

Clown

 

    Foolery, sir, does walk about the orb like the sun,

    it shines every where. I would be sorry, sir, but

    the fool should be as oft with your master as with

    my mistress: I think I saw your wisdom there.

 

VIOLA

 

    Nay, an thou pass upon me, I'll no more with thee.

    Hold, there's expenses for thee.

 

Clown

 

    Now Jove, in his next commodity of hair, send thee a beard!

 

VIOLA

 

    By my troth, I'll tell thee, I am almost sick for

    one;

 

    Aside

    though I would not have it grow on my chin. Is thy

    lady within?

 

Clown

 

    Would not a pair of these have bred, sir?

 

VIOLA

 

    Yes, being kept together and put to use.

 

Clown

 

    I would play Lord Pandarus of Phrygia, sir, to bring

    a Cressida to this Troilus.

 

VIOLA

 

    I understand you, sir; 'tis well begged.

 

Clown

 

    The matter, I hope, is not great, sir, begging but

    a beggar: Cressida was a beggar. My lady is

    within, sir. I will construe to them whence you

    come; who you are and what you would are out of my

    welkin, I might say 'element,' but the word is over-worn.

 

    Exit

 

VIOLA

 

    This fellow is wise enough to play the fool;

    And to do that well craves a kind of wit:

    He must observe their mood on whom he jests,

    The quality of persons, and the time,

    And, like the haggard, cheque at every feather

    That comes before his eye. This is a practise

    As full of labour as a wise man's art

    For folly that he wisely shows is fit;

    But wise men, folly-fall'n, quite taint their wit.

 

    Enter SIR TOBY BELCH, and SIR ANDREW

 

SIR TOBY BELCH

 

    Save you, gentleman.

 

VIOLA

 

    And you, sir.

 

SIR ANDREW

 

    Dieu vous garde, monsieur.

 

VIOLA

 

    Et vous aussi; votre serviteur.

 

SIR ANDREW

 

    I hope, sir, you are; and I am yours.

 

SIR TOBY BELCH

 

    Will you encounter the house? my niece is desirous

    you should enter, if your trade be to her.

 

VIOLA

 

    I am bound to your niece, sir; I mean, she is the

    list of my voyage.

 

SIR TOBY BELCH

 

    Taste your legs, sir; put them to motion.

 

VIOLA

 

    My legs do better understand me, sir, than I

    understand what you mean by bidding me taste my legs.

 

SIR TOBY BELCH

 

    I mean, to go, sir, to enter.

 

VIOLA

 

    I will answer you with gait and entrance. But we

    are prevented.

 

    Enter OLIVIA and MARIA

    Most excellent accomplished lady, the heavens rain

    odours on you!

 

SIR ANDREW

 

    That youth's a rare courtier: 'Rain odours;' well.

 

VIOLA

 

    My matter hath no voice, to your own most pregnant

    and vouchsafed ear.

 

SIR ANDREW

 

    'Odours,' 'pregnant' and 'vouchsafed:' I'll get 'em

    all three all ready.

 

OLIVIA

 

    Let the garden door be shut, and leave me to my hearing.

 

    Exeunt SIR TOBY BELCH, SIR ANDREW, and MARIA

    Give me your hand, sir.

 

VIOLA

 

    My duty, madam, and most humble service.

 

OLIVIA

 

    What is your name?

 

VIOLA

 

    Cesario is your servant's name, fair princess.

 

OLIVIA

 

    My servant, sir! 'Twas never merry world

    Since lowly feigning was call'd compliment:

    You're servant to the Count Orsino, youth.

 

VIOLA

 

    And he is yours, and his must needs be yours:

    Your servant's servant is your servant, madam.

 

OLIVIA

 

    For him, I think not on him: for his thoughts,

    Would they were blanks, rather than fill'd with me!

 

VIOLA

 

    Madam, I come to whet your gentle thoughts

    On his behalf.

 

OLIVIA

 

    O, by your leave, I pray you,

    I bade you never speak again of him:

    But, would you undertake another suit,

    I had rather hear you to solicit that

    Than music from the spheres.

 

VIOLA

 

    Dear lady,--

 

OLIVIA

 

    Give me leave, beseech you. I did send,

    After the last enchantment you did here,

    A ring in chase of you: so did I abuse

    Myself, my servant and, I fear me, you:

    Under your hard construction must I sit,

    To force that on you, in a shameful cunning,

    Which you knew none of yours: what might you think?

    Have you not set mine honour at the stake

    And baited it with all the unmuzzled thoughts

    That tyrannous heart can think? To one of your receiving

    Enough is shown: a cypress, not a bosom,

    Hideth my heart. So, let me hear you speak.

 

VIOLA

 

    I pity you.

 

OLIVIA

 

    That's a degree to love.

 

VIOLA

 

    No, not a grize; for 'tis a vulgar proof,

    That very oft we pity enemies.

 

OLIVIA

 

    Why, then, methinks 'tis time to smile again.

    O, world, how apt the poor are to be proud!

    If one should be a prey, how much the better

    To fall before the lion than the wolf!

 

    Clock strikes

    The clock upbraids me with the waste of time.

    Be not afraid, good youth, I will not have you:

    And yet, when wit and youth is come to harvest,

    Your were is alike to reap a proper man:

    There lies your way, due west.

 

VIOLA

 

    Then westward-ho! Grace and good disposition

    Attend your ladyship!

    You'll nothing, madam, to my lord by me?

 

OLIVIA

 

    Stay:

    I prithee, tell me what thou thinkest of me.

 

VIOLA

 

    That you do think you are not what you are.

 

OLIVIA

 

    If I think so, I think the same of you.

 

VIOLA

 

    Then think you right: I am not what I am.

 

OLIVIA

 

    I would you were as I would have you be!

 

VIOLA

 

    Would it be better, madam, than I am?

    I wish it might, for now I am your fool.

 

OLIVIA

 

    O, what a deal of scorn looks beautiful

    In the contempt and anger of his lip!

    A murderous guilt shows not itself more soon

    Than love that would seem hid: love's night is noon.

    Cesario, by the roses of the spring,

    By maidhood, honour, truth and every thing,

    I love thee so, that, maugre all thy pride,

    Nor wit nor reason can my passion hide.

    Do not extort thy reasons from this clause,

    For that I woo, thou therefore hast no cause,

    But rather reason thus with reason fetter,

    Love sought is good, but given unsought better.

 

VIOLA

 

    By innocence I swear, and by my youth

    I have one heart, one bosom and one truth,

    And that no woman has; nor never none

    Shall mistress be of it, save I alone.

    And so adieu, good madam: never more

    Will I my master's tears to you deplore.

 

OLIVIA

 

    Yet come again; for thou perhaps mayst move

    That heart, which now abhors, to like his love.

 

    Exeunt

 


SCENE II. OLIVIA's house.

 

    Enter SIR TOBY BELCH, SIR ANDREW, and FABIAN

 

SIR ANDREW

 

    No, faith, I'll not stay a jot longer.

 

SIR TOBY BELCH

 

    Thy reason, dear venom, give thy reason.

 

FABIAN

 

    You must needs yield your reason, Sir Andrew.

 

SIR ANDREW

 

    Marry, I saw your niece do more favours to the

    count's serving-man than ever she bestowed upon me;

    I saw't i' the orchard.

 

SIR TOBY BELCH

 

    Did she see thee the while, old boy? tell me that.

 

SIR ANDREW

 

    As plain as I see you now.

 

FABIAN

 

    This was a great argument of love in her toward you.

 

SIR ANDREW

 

    'Slight, will you make an ass o' me?

 

FABIAN

 

    I will prove it legitimate, sir, upon the oaths of

    judgment and reason.

 

SIR TOBY BELCH

 

    And they have been grand-jury-men since before Noah

    was a sailor.

 

FABIAN

 

    She did show favour to the youth in your sight only

    to exasperate you, to awake your dormouse valour, to

    put fire in your heart and brimstone in your liver.

    You should then have accosted her; and with some

    excellent jests, fire-new from the mint, you should

    have banged the youth into dumbness. This was

    looked for at your hand, and this was balked: the

    double gilt of this opportunity you let time wash

    off, and you are now sailed into the north of my

    lady's opinion; where you will hang like an icicle

    on a Dutchman's beard, unless you do redeem it by

    some laudable attempt either of valour or policy.

 

SIR ANDREW

 

    An't be any way, it must be with valour; for policy

    I hate: I had as lief be a Brownist as a

    politician.

 

SIR TOBY BELCH

 

    Why, then, build me thy fortunes upon the basis of

    valour. Challenge me the count's youth to fight

    with him; hurt him in eleven places: my niece shall

    take note of it; and assure thyself, there is no

    love-broker in the world can more prevail in man's

    commendation with woman than report of valour.

 

FABIAN

 

    There is no way but this, Sir Andrew.

 

SIR ANDREW

 

    Will either of you bear me a challenge to him?

 

SIR TOBY BELCH

 

    Go, write it in a martial hand; be curst and brief;

    it is no matter how witty, so it be eloquent and fun

    of invention: taunt him with the licence of ink:

    if thou thou'st him some thrice, it shall not be

    amiss; and as many lies as will lie in thy sheet of

    paper, although the sheet were big enough for the

    bed of Ware in England, set 'em down: go, about it.

    Let there be gall enough in thy ink, though thou

    write with a goose-pen, no matter: about it.

 

SIR ANDREW

 

    Where shall I find you?

 

SIR TOBY BELCH

 

    We'll call thee at the cubiculo: go.

 

    Exit SIR ANDREW

 

FABIAN

 

    This is a dear manikin to you, Sir Toby.

 

SIR TOBY BELCH

 

    I have been dear to him, lad, some two thousand

    strong, or so.

 

FABIAN

 

    We shall have a rare letter from him: but you'll

    not deliver't?

 

SIR TOBY BELCH

 

    Never trust me, then; and by all means stir on the

    youth to an answer. I think oxen and wainropes

    cannot hale them together. For Andrew, if he were

    opened, and you find so much blood in his liver as

    will clog the foot of a flea, I'll eat the rest of

    the anatomy.

 

FABIAN

 

    And his opposite, the youth, bears in his visage no

    great presage of cruelty.

 

    Enter MARIA

 

SIR TOBY BELCH

 

    Look, where the youngest wren of nine comes.

 

MARIA

 

    If you desire the spleen, and will laugh yourself

    into stitches, follow me. Yond gull Malvolio is

    turned heathen, a very renegado; for there is no

    Christian, that means to be saved by believing

    rightly, can ever believe such impossible passages

    of grossness. He's in yellow stockings.

 

SIR TOBY BELCH

 

    And cross-gartered?

 

MARIA

 

    Most villanously; like a pedant that keeps a school

    i' the church. I have dogged him, like his

    murderer. He does obey every point of the letter

    that I dropped to betray him: he does smile his

    face into more lines than is in the new map with the

    augmentation of the Indies: you have not seen such

    a thing as 'tis. I can hardly forbear hurling things

    at him. I know my lady will strike him: if she do,

    he'll smile and take't for a great favour.

 

SIR TOBY BELCH

 

    Come, bring us, bring us where he is.

 

    Exeunt

 


SCENE III. A street.

 

    Enter SEBASTIAN and ANTONIO

 

SEBASTIAN

 

    I would not by my will have troubled you;

    But, since you make your pleasure of your pains,

    I will no further chide you.

 

ANTONIO

 

    I could not stay behind you: my desire,

    More sharp than filed steel, did spur me forth;

    And not all love to see you, though so much

    As might have drawn one to a longer voyage,

    But jealousy what might befall your travel,

    Being skilless in these parts; which to a stranger,

    Unguided and unfriended, often prove

    Rough and unhospitable: my willing love,

    The rather by these arguments of fear,

    Set forth in your pursuit.

 

SEBASTIAN

 

    My kind Antonio,

    I can no other answer make but thanks,

    And thanks; and ever [ ] oft good turns

    Are shuffled off with such uncurrent pay:

    But, were my worth as is my conscience firm,

    You should find better dealing. What's to do?

    Shall we go see the reliques of this town?

 

ANTONIO

 

    To-morrow, sir: best first go see your lodging.

 

SEBASTIAN

 

    I am not weary, and 'tis long to night:

    I pray you, let us satisfy our eyes

    With the memorials and the things of fame

    That do renown this city.

 

ANTONIO

 

    Would you'ld pardon me;

    I do not without danger walk these streets:

    Once, in a sea-fight, 'gainst the count his galleys

    I did some service; of such note indeed,

    That were I ta'en here it would scarce be answer'd.

 

SEBASTIAN

 

    Belike you slew great number of his people.

 

ANTONIO

 

    The offence is not of such a bloody nature;

    Albeit the quality of the time and quarrel

    Might well have given us bloody argument.

    It might have since been answer'd in repaying

    What we took from them; which, for traffic's sake,

    Most of our city did: only myself stood out;

    For which, if I be lapsed in this place,

    I shall pay dear.

 

SEBASTIAN

 

    Do not then walk too open.

 

ANTONIO

 

    It doth not fit me. Hold, sir, here's my purse.

    In the south suburbs, at the Elephant,

    Is best to lodge: I will bespeak our diet,

    Whiles you beguile the time and feed your knowledge

    With viewing of the town: there shall you have me.

 

SEBASTIAN

 

    Why I your purse?

 

ANTONIO

 

    Haply your eye shall light upon some toy

    You have desire to purchase; and your store,

    I think, is not for idle markets, sir.

 

SEBASTIAN

 

    I'll be your purse-bearer and leave you

    For an hour.

 

ANTONIO

 

    To the Elephant.

 

SEBASTIAN

 

    I do remember.

 

    Exeunt

 


SCENE IV. OLIVIA's garden.

 

    Enter OLIVIA and MARIA

 

OLIVIA

 

    I have sent after him: he says he'll come;

    How shall I feast him? what bestow of him?

    For youth is bought more oft than begg'd or borrow'd.

    I speak too loud.

    Where is Malvolio? he is sad and civil,

    And suits well for a servant with my fortunes:

    Where is Malvolio?

 

MARIA

 

    He's coming, madam; but in very strange manner. He

    is, sure, possessed, madam.

 

OLIVIA

 

    Why, what's the matter? does he rave?

 

MARIA

 

    No. madam, he does nothing but smile: your

    ladyship were best to have some guard about you, if

    he come; for, sure, the man is tainted in's wits.

 

OLIVIA

 

    Go call him hither.

 

    Exit MARIA

    I am as mad as he,

    If sad and merry madness equal be.

 

    Re-enter MARIA, with MALVOLIO

    How now, Malvolio!

 

MALVOLIO

 

    Sweet lady, ho, ho.

 

OLIVIA

 

    Smilest thou?

    I sent for thee upon a sad occasion.

 

MALVOLIO

 

    Sad, lady! I could be sad: this does make some

    obstruction in the blood, this cross-gartering; but

    what of that? if it please the eye of one, it is

    with me as the very true sonnet is, 'Please one, and

    please all.'

 

OLIVIA

 

    Why, how dost thou, man? what is the matter with thee?

 

MALVOLIO

 

    Not black in my mind, though yellow in my legs. It

    did come to his hands, and commands shall be

    executed: I think we do know the sweet Roman hand.

 

OLIVIA

 

    Wilt thou go to bed, Malvolio?

 

MALVOLIO

 

    To bed! ay, sweet-heart, and I'll come to thee.

 

OLIVIA

 

    God comfort thee! Why dost thou smile so and kiss

    thy hand so oft?

 

MARIA

 

    How do you, Malvolio?

 

MALVOLIO

 

    At your request! yes; nightingales answer daws.

 

MARIA

 

    Why appear you with this ridiculous boldness before my lady?

 

MALVOLIO

 

    'Be not afraid of greatness:' 'twas well writ.

 

OLIVIA

 

    What meanest thou by that, Malvolio?

 

MALVOLIO

 

    'Some are born great,'--

 

OLIVIA

 

    Ha!

 

MALVOLIO

 

    'Some achieve greatness,'--

 

OLIVIA

 

    What sayest thou?

 

MALVOLIO

 

    'And some have greatness thrust upon them.'

 

OLIVIA

 

    Heaven restore thee!

 

MALVOLIO

 

    'Remember who commended thy yellow stocking s,'--

 

OLIVIA

 

    Thy yellow stockings!

 

MALVOLIO

 

    'And wished to see thee cross-gartered.'

 

OLIVIA

 

    Cross-gartered!

 

MALVOLIO

 

    'Go to thou art made, if thou desirest to be so;'--

 

OLIVIA

 

    Am I made?

 

MALVOLIO

 

    'If not, let me see thee a servant still.'

 

OLIVIA

 

    Why, this is very midsummer madness.

 

    Enter Servant

 

Servant

 

    Madam, the young gentleman of the Count Orsino's is

    returned: I could hardly entreat him back: he

    attends your ladyship's pleasure.

 

OLIVIA

 

    I'll come to him.

 

    Exit Servant

    Good Maria, let this fellow be looked to. Where's

    my cousin Toby? Let some of my people have a special

    care of him: I would not have him miscarry for the

    half of my dowry.

 

    Exeunt OLIVIA and MARIA

 

MALVOLIO

 

    O, ho! do you come near me now? no worse man than

    Sir Toby to look to me! This concurs directly with

    the letter: she sends him on purpose, that I may

    appear stubborn to him; for she incites me to that

    in the letter. 'Cast thy humble slough,' says she;

    'be opposite with a kinsman, surly with servants;

    let thy tongue tang with arguments of state; put

    thyself into the trick of singularity;' and

    consequently sets down the manner how; as, a sad

    face, a reverend carriage, a slow tongue, in the

    habit of some sir of note, and so forth. I have

    limed her; but it is Jove's doing, and Jove make me

    thankful! And when she went away now, 'Let this

    fellow be looked to:' fellow! not Malvolio, nor

    after my degree, but fellow. Why, every thing

    adheres together, that no dram of a scruple, no

    scruple of a scruple, no obstacle, no incredulous

    or unsafe circumstance--What can be said? Nothing

    that can be can come between me and the full

    prospect of my hopes. Well, Jove, not I, is the

    doer of this, and he is to be thanked.

 

    Re-enter MARIA, with SIR TOBY BELCH and FABIAN

 

SIR TOBY BELCH

 

    Which way is he, in the name of sanctity? If all

    the devils of hell be drawn in little, and Legion

    himself possessed him, yet I'll speak to him.

 

FABIAN

 

    Here he is, here he is. How is't with you, sir?

    how is't with you, man?

 

MALVOLIO

 

    Go off; I discard you: let me enjoy my private: go

    off.

 

MARIA

 

    Lo, how hollow the fiend speaks within him! did not

    I tell you? Sir Toby, my lady prays you to have a

    care of him.

 

MALVOLIO

 

    Ah, ha! does she so?

 

SIR TOBY BELCH

 

    Go to, go to; peace, peace; we must deal gently

    with him: let me alone. How do you, Malvolio? how

    is't with you? What, man! defy the devil:

    consider, he's an enemy to mankind.

 

MALVOLIO

 

    Do you know what you say?

 

MARIA

 

    La you, an you speak ill of the devil, how he takes

    it at heart! Pray God, he be not bewitched!

 

FABIAN

 

    Carry his water to the wise woman.

 

MARIA

 

    Marry, and it shall be done to-morrow morning, if I

    live. My lady would not lose him for more than I'll say.

 

MALVOLIO

 

    How now, mistress!

 

MARIA

 

    O Lord!

 

SIR TOBY BELCH

 

    Prithee, hold thy peace; this is not the way: do

    you not see you move him? let me alone with him.

 

FABIAN

 

    No way but gentleness; gently, gently: the fiend is

    rough, and will not be roughly used.

 

SIR TOBY BELCH

 

    Why, how now, my bawcock! how dost thou, chuck?

 

MALVOLIO

 

    Sir!

 

SIR TOBY BELCH

 

    Ay, Biddy, come with me. What, man! 'tis not for

    gravity to play at cherry-pit with Satan: hang

    him, foul collier!

 

MARIA

 

    Get him to say his prayers, good Sir Toby, get him to pray.

 

MALVOLIO

 

    My prayers, minx!

 

MARIA

 

    No, I warrant you, he will not hear of godliness.

 

MALVOLIO

 

    Go, hang yourselves all! you are idle shallow

    things: I am not of your element: you shall know

    more hereafter.

 

    Exit

 

SIR TOBY BELCH

 

    Is't possible?

 

FABIAN

 

    If this were played upon a stage now, I could

    condemn it as an improbable fiction.

 

SIR TOBY BELCH

 

    His very genius hath taken the infection of the device, man.

 

MARIA

 

    Nay, pursue him now, lest the device take air and taint.

 

FABIAN

 

    Why, we shall make him mad indeed.

 

MARIA

 

    The house will be the quieter.

 

SIR TOBY BELCH

 

    Come, we'll have him in a dark room and bound. My

    niece is already in the belief that he's mad: we

    may carry it thus, for our pleasure and his penance,

    till our very pastime, tired out of breath, prompt

    us to have mercy on him: at which time we will

    bring the device to the bar and crown thee for a

    finder of madmen. But see, but see.

 

    Enter SIR ANDREW

 

FABIAN

 

    More matter for a May morning.

 

SIR ANDREW

 

    Here's the challenge, read it: warrant there's

    vinegar and pepper in't.

 

FABIAN

 

    Is't so saucy?

 

SIR ANDREW

 

    Ay, is't, I warrant him: do but read.

 

SIR TOBY BELCH

 

    Give me.

 

    Reads

    'Youth, whatsoever thou art, thou art but a scurvy fellow.'

 

FABIAN

 

    Good, and valiant.

 

SIR TOBY BELCH

 

    [Reads] 'Wonder not, nor admire not in thy mind,

    why I do call thee so, for I will show thee no reason for't.'

 

FABIAN

 

    A good note; that keeps you from the blow of the law.

 

SIR TOBY BELCH

 

    [Reads] 'Thou comest to the lady Olivia, and in my

    sight she uses thee kindly: but thou liest in thy

    throat; that is not the matter I challenge thee for.'

 

FABIAN

 

    Very brief, and to exceeding good sense--less.

 

SIR TOBY BELCH

 

    [Reads] 'I will waylay thee going home; where if it

    be thy chance to kill me,'--

 

FABIAN

 

    Good.

 

SIR TOBY BELCH

 

    [Reads] 'Thou killest me like a rogue and a villain.'

 

FABIAN

 

    Still you keep o' the windy side of the law: good.

 

SIR TOBY BELCH

 

    [Reads] 'Fare thee well; and God have mercy upon

    one of our souls! He may have mercy upon mine; but

    my hope is better, and so look to thyself. Thy

    friend, as thou usest him, and thy sworn enemy,

    ANDREW AGUECHEEK.

    If this letter move him not, his legs cannot:

    I'll give't him.

 

MARIA

 

    You may have very fit occasion for't: he is now in

    some commerce with my lady, and will by and by depart.

 

SIR TOBY BELCH

 

    Go, Sir Andrew: scout me for him at the corner the

    orchard like a bum-baily: so soon as ever thou seest

    him, draw; and, as thou drawest swear horrible; for

    it comes to pass oft that a terrible oath, with a

    swaggering accent sharply twanged off, gives manhood

    more approbation than ever proof itself would have

    earned him. Away!

 

SIR ANDREW

 

    Nay, let me alone for swearing.

 

    Exit

 

SIR TOBY BELCH

 

    Now will not I deliver his letter: for the behavior

    of the young gentleman gives him out to be of good

    capacity and breeding; his employment between his

    lord and my niece confirms no less: therefore this

    letter, being so excellently ignorant, will breed no

    terror in the youth: he will find it comes from a

    clodpole. But, sir, I will deliver his challenge by

    word of mouth; set upon Aguecheek a notable report

    of valour; and drive the gentleman, as I know his

    youth will aptly receive it, into a most hideous

    opinion of his rage, skill, fury and impetuosity.

    This will so fright them both that they will kill

    one another by the look, like cockatrices.

 

    Re-enter OLIVIA, with VIOLA

 

FABIAN

 

    Here he comes with your niece: give them way till

    he take leave, and presently after him.

 

SIR TOBY BELCH

 

    I will meditate the while upon some horrid message

    for a challenge.

 

    Exeunt SIR TOBY BELCH, FABIAN, and MARIA

 

OLIVIA

 

    I have said too much unto a heart of stone

    And laid mine honour too unchary out:

    There's something in me that reproves my fault;

    But such a headstrong potent fault it is,

    That it but mocks reproof.

 

VIOLA

 

    With the same 'havior that your passion bears

    Goes on my master's grief.

 

OLIVIA

 

    Here, wear this jewel for me, 'tis my picture;

    Refuse it not; it hath no tongue to vex you;

    And I beseech you come again to-morrow.

    What shall you ask of me that I'll deny,

    That honour saved may upon asking give?

 

VIOLA

 

    Nothing but this; your true love for my master.

 

OLIVIA

 

    How with mine honour may I give him that

    Which I have given to you?

 

VIOLA

 

    I will acquit you.

 

OLIVIA

 

    Well, come again to-morrow: fare thee well:

    A fiend like thee might bear my soul to hell.

 

    Exit

 

    Re-enter SIR TOBY BELCH and FABIAN

 

SIR TOBY BELCH

 

    Gentleman, God save thee.

 

VIOLA

 

    And you, sir.

 

SIR TOBY BELCH

 

    That defence thou hast, betake thee to't: of what

    nature the wrongs are thou hast done him, I know

    not; but thy intercepter, full of despite, bloody as

    the hunter, attends thee at the orchard-end:

    dismount thy tuck, be yare in thy preparation, for

    thy assailant is quick, skilful and deadly.

 

VIOLA

 

    You mistake, sir; I am sure no man hath any quarrel

    to me: my remembrance is very free and clear from

    any image of offence done to any man.

 

SIR TOBY BELCH

 

    You'll find it otherwise, I assure you: therefore,

    if you hold your life at any price, betake you to

    your guard; for your opposite hath in him what

    youth, strength, skill and wrath can furnish man withal.

 

VIOLA

 

    I pray you, sir, what is he?

 

SIR TOBY BELCH

 

    He is knight, dubbed with unhatched rapier and on

    carpet consideration; but he is a devil in private

    brawl: souls and bodies hath he divorced three; and

    his incensement at this moment is so implacable,

    that satisfaction can be none but by pangs of death

    and sepulchre. Hob, nob, is his word; give't or take't.

 

VIOLA

 

    I will return again into the house and desire some

    conduct of the lady. I am no fighter. I have heard

    of some kind of men that put quarrels purposely on

    others, to taste their valour: belike this is a man

    of that quirk.

 

SIR TOBY BELCH

 

    Sir, no; his indignation derives itself out of a

    very competent injury: therefore, get you on and

    give him his desire. Back you shall not to the

    house, unless you undertake that with me which with

    as much safety you might answer him: therefore, on,

    or strip your sword stark naked; for meddle you

    must, that's certain, or forswear to wear iron about you.

 

VIOLA

 

    This is as uncivil as strange. I beseech you, do me

    this courteous office, as to know of the knight what

    my offence to him is: it is something of my

    negligence, nothing of my purpose.

 

SIR TOBY BELCH

 

    I will do so. Signior Fabian, stay you by this

    gentleman till my return.

 

    Exit

 

VIOLA

 

    Pray you, sir, do you know of this matter?

 

FABIAN

 

    I know the knight is incensed against you, even to a

    mortal arbitrement; but nothing of the circumstance more.

 

VIOLA

 

    I beseech you, what manner of man is he?

 

FABIAN

 

    Nothing of that wonderful promise, to read him by

    his form, as you are like to find him in the proof

    of his valour. He is, indeed, sir, the most skilful,

    bloody and fatal opposite that you could possibly

    have found in any part of Illyria. Will you walk

    towards him? I will make your peace with him if I

    can.

 

VIOLA

 

    I shall be much bound to you for't: I am one that

    had rather go with sir priest than sir knight: I

    care not who knows so much of my mettle.

 

    Exeunt

 

    Re-enter SIR TOBY BELCH, with SIR ANDREW

 

SIR TOBY BELCH

 

    Why, man, he's a very devil; I have not seen such a

    firago. I had a pass with him, rapier, scabbard and

    all, and he gives me the stuck in with such a mortal

    motion, that it is inevitable; and on the answer, he

    pays you as surely as your feet hit the ground they

    step on. They say he has been fencer to the Sophy.

 

SIR ANDREW

 

    Pox on't, I'll not meddle with him.

 

SIR TOBY BELCH

 

    Ay, but he will not now be pacified: Fabian can

    scarce hold him yonder.

 

SIR ANDREW

 

    Plague on't, an I thought he had been valiant and so

    cunning in fence, I'ld have seen him damned ere I'ld

    have challenged him. Let him let the matter slip,

    and I'll give him my horse, grey Capilet.

 

SIR TOBY BELCH

 

    I'll make the motion: stand here, make a good show

    on't: this shall end without the perdition of souls.

 

    Aside

    Marry, I'll ride your horse as well as I ride you.

 

    Re-enter FABIAN and VIOLA

 

    To FABIAN

    I have his horse to take up the quarrel:

    I have persuaded him the youth's a devil.

 

FABIAN

 

    He is as horribly conceited of him; and pants and

    looks pale, as if a bear were at his heels.

 

SIR TOBY BELCH

 

    [To VIOLA] There's no remedy, sir; he will fight

    with you for's oath sake: marry, he hath better

    bethought him of his quarrel, and he finds that now

    scarce to be worth talking of: therefore draw, for

    the supportance of his vow; he protests he will not hurt you.

 

VIOLA

 

    [Aside] Pray God defend me! A little thing would

    make me tell them how much I lack of a man.

 

FABIAN

 

    Give ground, if you see him furious.

 

SIR TOBY BELCH

 

    Come, Sir Andrew, there's no remedy; the gentleman

    will, for his honour's sake, have one bout with you;

    he cannot by the duello avoid it: but he has

    promised me, as he is a gentleman and a soldier, he

    will not hurt you. Come on; to't.

 

SIR ANDREW

 

    Pray God, he keep his oath!

 

VIOLA

 

    I do assure you, 'tis against my will.

 

    They draw

 

    Enter ANTONIO

 

ANTONIO

 

    Put up your sword. If this young gentleman

    Have done offence, I take the fault on me:

    If you offend him, I for him defy you.

 

SIR TOBY BELCH

 

    You, sir! why, what are you?

 

ANTONIO

 

    One, sir, that for his love dares yet do more

    Than you have heard him brag to you he will.

 

SIR TOBY BELCH

 

    Nay, if you be an undertaker, I am for you.

 

    They draw

 

    Enter Officers

 

FABIAN

 

    O good Sir Toby, hold! here come the officers.

 

SIR TOBY BELCH

 

    I'll be with you anon.

 

VIOLA

 

    Pray, sir, put your sword up, if you please.

 

SIR ANDREW

 

    Marry, will I, sir; and, for that I promised you,

    I'll be as good as my word: he will bear you easily

    and reins well.

 

First Officer

 

    This is the man; do thy office.

 

Second Officer

 

    Antonio, I arrest thee at the suit of Count Orsino.

 

ANTONIO

 

    You do mistake me, sir.

 

First Officer

 

    No, sir, no jot; I know your favour well,

    Though now you have no sea-cap on your head.

    Take him away: he knows I know him well.

 

ANTONIO

 

    I must obey.

 

    To VIOLA

    This comes with seeking you:

    But there's no remedy; I shall answer it.

    What will you do, now my necessity

    Makes me to ask you for my purse? It grieves me

    Much more for what I cannot do for you

    Than what befalls myself. You stand amazed;

    But be of comfort.

 

Second Officer

 

    Come, sir, away.

 

ANTONIO

 

    I must entreat of you some of that money.

 

VIOLA

 

    What money, sir?

    For the fair kindness you have show'd me here,

    And, part, being prompted by your present trouble,

    Out of my lean and low ability

    I'll lend you something: my having is not much;

    I'll make division of my present with you:

    Hold, there's half my coffer.

 

ANTONIO

 

    Will you deny me now?

    Is't possible that my deserts to you

    Can lack persuasion? Do not tempt my misery,

    Lest that it make me so unsound a man

    As to upbraid you with those kindnesses

    That I have done for you.

 

VIOLA

 

    I know of none;

    Nor know I you by voice or any feature:

    I hate ingratitude more in a man

    Than lying, vainness, babbling, drunkenness,

    Or any taint of vice whose strong corruption

    Inhabits our frail blood.

 

ANTONIO

 

    O heavens themselves!

 

Second Officer

 

    Come, sir, I pray you, go.

 

ANTONIO

 

    Let me speak a little. This youth that you see here

    I snatch'd one half out of the jaws of death,

    Relieved him with such sanctity of love,

    And to his image, which methought did promise

    Most venerable worth, did I devotion.

 

First Officer

 

    What's that to us? The time goes by: away!

 

ANTONIO

 

    But O how vile an idol proves this god

    Thou hast, Sebastian, done good feature shame.

    In nature there's no blemish but the mind;

    None can be call'd deform'd but the unkind:

    Virtue is beauty, but the beauteous evil

    Are empty trunks o'erflourish'd by the devil.

 

First Officer

 

    The man grows mad: away with him! Come, come, sir.

 

ANTONIO

 

    Lead me on.

 

    Exit with Officers

 

VIOLA

 

    Methinks his words do from such passion fly,

    That he believes himself: so do not I.

    Prove true, imagination, O, prove true,

    That I, dear brother, be now ta'en for you!

 

SIR TOBY BELCH

 

    Come hither, knight; come hither, Fabian: we'll

    whisper o'er a couplet or two of most sage saws.

 

VIOLA

 

    He named Sebastian: I my brother know

    Yet living in my glass; even such and so

    In favour was my brother, and he went

    Still in this fashion, colour, ornament,

    For him I imitate: O, if it prove,

    Tempests are kind and salt waves fresh in love.

 

    Exit

 

SIR TOBY BELCH

 

    A very dishonest paltry boy, and more a coward than

    a hare: his dishonesty appears in leaving his

    friend here in necessity and denying him; and for

    his cowardship, ask Fabian.

 

FABIAN

 

    A coward, a most devout coward, religious in it.

 

SIR ANDREW

 

    'Slid, I'll after him again and beat him.

 

SIR TOBY BELCH

 

    Do; cuff him soundly, but never draw thy sword.

 

SIR ANDREW

 

    An I do not,--

 

FABIAN

 

    Come, let's see the event.

 

SIR TOBY BELCH

 

    I dare lay any money 'twill be nothing yet.

 

    Exeunt

 


ACT IV

SCENE I. Before OLIVIA's house.

 

    Enter SEBASTIAN and Clown

 

Clown

 

    Will you make me believe that I am not sent for you?

 

SEBASTIAN

 

    Go to, go to, thou art a foolish fellow:

    Let me be clear of thee.

 

Clown

 

    Well held out, i' faith! No, I do not know you; nor

    I am not sent to you by my lady, to bid you come

    speak with her; nor your name is not Master Cesario;

    nor this is not my nose neither. Nothing that is so is so.

 

SEBASTIAN

 

    I prithee, vent thy folly somewhere else: Thou

    know'st not me.

 

Clown

 

    Vent my folly! he has heard that word of some

    great man and now applies it to a fool. Vent my

    folly! I am afraid this great lubber, the world,

    will prove a cockney. I prithee now, ungird thy

    strangeness and tell me what I shall vent to my

    lady: shall I vent to her that thou art coming?

 

SEBASTIAN

 

    I prithee, foolish Greek, depart from me: There's

    money for thee: if you tarry longer, I shall give

    worse payment.

 

Clown

 

    By my troth, thou hast an open hand. These wise men

    that give fools money get themselves a good

    report--after fourteen years' purchase.

 

    Enter SIR ANDREW, SIR TOBY BELCH, and FABIAN

 

SIR ANDREW

 

    Now, sir, have I met you again? there's for you.

 

SEBASTIAN

 

    Why, there's for thee, and there, and there. Are all

    the people mad?

 

SIR TOBY BELCH

 

    Hold, sir, or I'll throw your dagger o'er the house.

 

Clown

 

    This will I tell my lady straight: I would not be

    in some of your coats for two pence.

 

    Exit

 

SIR TOBY BELCH

 

    Come on, sir; hold.

 

SIR ANDREW

 

    Nay, let him alone: I'll go another way to work

    with him; I'll have an action of battery against

    him, if there be any law in Illyria: though I

    struck him first, yet it's no matter for that.

 

SEBASTIAN

 

    Let go thy hand.

 

SIR TOBY BELCH

 

    Come, sir, I will not let you go. Come, my young

    soldier, put up your iron: you are well fleshed; come on.

 

SEBASTIAN

 

    I will be free from thee. What wouldst thou now? If

    thou darest tempt me further, draw thy sword.

 

SIR TOBY BELCH

 

    What, what? Nay, then I must have an ounce or two

    of this malapert blood from you.

 

    Enter OLIVIA

 

OLIVIA

 

    Hold, Toby; on thy life I charge thee, hold!

 

SIR TOBY BELCH

 

    Madam!

 

OLIVIA

 

    Will it be ever thus? Ungracious wretch,

    Fit for the mountains and the barbarous caves,

    Where manners ne'er were preach'd! out of my sight!

    Be not offended, dear Cesario.

    Rudesby, be gone!

 

    Exeunt SIR TOBY BELCH, SIR ANDREW, and FABIAN

    I prithee, gentle friend,

    Let thy fair wisdom, not thy passion, sway

    In this uncivil and thou unjust extent

    Against thy peace. Go with me to my house,

    And hear thou there how many fruitless pranks

    This ruffian hath botch'd up, that thou thereby

    Mayst smile at this: thou shalt not choose but go:

    Do not deny. Beshrew his soul for me,

    He started one poor heart of mine in thee.

 

SEBASTIAN

 

    What relish is in this? how runs the stream?

    Or I am mad, or else this is a dream:

    Let fancy still my sense in Lethe steep;

    If it be thus to dream, still let me sleep!

 

OLIVIA

 

    Nay, come, I prithee; would thou'ldst be ruled by me!

 

SEBASTIAN

 

    Madam, I will.

 

OLIVIA

 

    O, say so, and so be!

 

    Exeunt

 


SCENE II. OLIVIA's house.

 

    Enter MARIA and Clown

 

MARIA

 

    Nay, I prithee, put on this gown and this beard;

    make him believe thou art Sir Topas the curate: do

    it quickly; I'll call Sir Toby the whilst.

 

    Exit

 

Clown

 

    Well, I'll put it on, and I will dissemble myself

    in't; and I would I were the first that ever

    dissembled in such a gown. I am not tall enough to

    become the function well, nor lean enough to be

    thought a good student; but to be said an honest man

    and a good housekeeper goes as fairly as to say a

    careful man and a great scholar. The competitors enter.

 

    Enter SIR TOBY BELCH and MARIA

 

SIR TOBY BELCH

 

    Jove bless thee, master Parson.

 

Clown

 

    Bonos dies, Sir Toby: for, as the old hermit of

    Prague, that never saw pen and ink, very wittily

    said to a niece of King Gorboduc, 'That that is is;'

    so I, being Master Parson, am Master Parson; for,

    what is 'that' but 'that,' and 'is' but 'is'?

 

SIR TOBY BELCH

 

    To him, Sir Topas.

 

Clown

 

    What, ho, I say! peace in this prison!

 

SIR TOBY BELCH

 

    The knave counterfeits well; a good knave.

 

MALVOLIO

 

    [Within] Who calls there?

 

Clown

 

    Sir Topas the curate, who comes to visit Malvolio

    the lunatic.

 

MALVOLIO

 

    Sir Topas, Sir Topas, good Sir Topas, go to my lady.

 

Clown

 

    Out, hyperbolical fiend! how vexest thou this man!

    talkest thou nothing but of ladies?

 

SIR TOBY BELCH

 

    Well said, Master Parson.

 

MALVOLIO

 

    Sir Topas, never was man thus wronged: good Sir

    Topas, do not think I am mad: they have laid me

    here in hideous darkness.

 

Clown

 

    Fie, thou dishonest Satan! I call thee by the most

    modest terms; for I am one of those gentle ones

    that will use the devil himself with courtesy:

    sayest thou that house is dark?

 

MALVOLIO

 

    As hell, Sir Topas.

 

Clown

 

    Why it hath bay windows transparent as barricadoes,

    and the clearstores toward the south north are as

    lustrous as ebony; and yet complainest thou of

    obstruction?

 

MALVOLIO

 

    I am not mad, Sir Topas: I say to you, this house is dark.

 

Clown

 

    Madman, thou errest: I say, there is no darkness

    but ignorance; in which thou art more puzzled than

    the Egyptians in their fog.

 

MALVOLIO

 

    I say, this house is as dark as ignorance, though

    ignorance were as dark as hell; and I say, there

    was never man thus abused. I am no more mad than you

    are: make the trial of it in any constant question.

 

Clown

 

    What is the opinion of Pythagoras concerning wild fowl?

 

MALVOLIO

 

    That the soul of our grandam might haply inhabit a bird.

 

Clown

 

    What thinkest thou of his opinion?

 

MALVOLIO

 

    I think nobly of the soul, and no way approve his opinion.

 

Clown

 

    Fare thee well. Remain thou still in darkness:

    thou shalt hold the opinion of Pythagoras ere I will

    allow of thy wits, and fear to kill a woodcock, lest

    thou dispossess the soul of thy grandam. Fare thee well.

 

MALVOLIO

 

    Sir Topas, Sir Topas!

 

SIR TOBY BELCH

 

    My most exquisite Sir Topas!

 

Clown

 

    Nay, I am for all waters.

 

MARIA

 

    Thou mightst have done this without thy beard and

    gown: he sees thee not.

 

SIR TOBY BELCH

 

    To him in thine own voice, and bring me word how

    thou findest him: I would we were well rid of this

    knavery. If he may be conveniently delivered, I

    would he were, for I am now so far in offence with

    my niece that I cannot pursue with any safety this

    sport to the upshot. Come by and by to my chamber.

 

    Exeunt SIR TOBY BELCH and MARIA

 

Clown

 

    [Singing]

    'Hey, Robin, jolly Robin,

    Tell me how thy lady does.'

 

MALVOLIO

 

    Fool!

 

Clown

 

    'My lady is unkind, perdy.'

 

MALVOLIO

 

    Fool!

 

Clown

 

    'Alas, why is she so?'

 

MALVOLIO

 

    Fool, I say!

 

Clown

 

    'She loves another'--Who calls, ha?

 

MALVOLIO

 

    Good fool, as ever thou wilt deserve well at my

    hand, help me to a candle, and pen, ink and paper:

    as I am a gentleman, I will live to be thankful to

    thee for't.

 

Clown

 

    Master Malvolio?

 

MALVOLIO

 

    Ay, good fool.

 

Clown

 

    Alas, sir, how fell you besides your five wits?

 

MALVOLIO

 

    Fool, there was never a man so notoriously abused: I

    am as well in my wits, fool, as thou art.

 

Clown

 

    But as well? then you are mad indeed, if you be no

    better in your wits than a fool.

 

MALVOLIO

 

    They have here propertied me; keep me in darkness,

    send ministers to me, asses, and do all they can to

    face me out of my wits.

 

Clown

 

    Advise you what you say; the minister is here.

    Malvolio, Malvolio, thy wits the heavens restore!

    endeavour thyself to sleep, and leave thy vain

    bibble babble.

 

MALVOLIO

 

    Sir Topas!

 

Clown

 

    Maintain no words with him, good fellow. Who, I,

    sir? not I, sir. God be wi' you, good Sir Topas.

    Merry, amen. I will, sir, I will.

 

MALVOLIO

 

    Fool, fool, fool, I say!

 

Clown

 

    Alas, sir, be patient. What say you sir? I am

    shent for speaking to you.

 

MALVOLIO

 

    Good fool, help me to some light and some paper: I

    tell thee, I am as well in my wits as any man in Illyria.

 

Clown

 

    Well-a-day that you were, sir

 

MALVOLIO

 

    By this hand, I am. Good fool, some ink, paper and

    light; and convey what I will set down to my lady:

    it shall advantage thee more than ever the bearing

    of letter did.

 

Clown

 

    I will help you to't. But tell me true, are you

    not mad indeed? or do you but counterfeit?

 

MALVOLIO

 

    Believe me, I am not; I tell thee true.

 

Clown

 

    Nay, I'll ne'er believe a madman till I see his

    brains. I will fetch you light and paper and ink.

 

MALVOLIO

 

    Fool, I'll requite it in the highest degree: I

    prithee, be gone.

 

Clown

 

    [Singing]

    I am gone, sir,

    And anon, sir,

    I'll be with you again,

    In a trice,

    Like to the old Vice,

    Your need to sustain;

    Who, with dagger of lath,

    In his rage and his wrath,

    Cries, ah, ha! to the devil:

    Like a mad lad,

    Pare thy nails, dad;

    Adieu, good man devil.

 

    Exit

 


SCENE III. OLIVIA's garden.

 

    Enter SEBASTIAN

 

SEBASTIAN

 

    This is the air; that is the glorious sun;

    This pearl she gave me, I do feel't and see't;

    And though 'tis wonder that enwraps me thus,

    Yet 'tis not madness. Where's Antonio, then?

    I could not find him at the Elephant:

    Yet there he was; and there I found this credit,

    That he did range the town to seek me out.

    His counsel now might do me golden service;

    For though my soul disputes well with my sense,

    That this may be some error, but no madness,

    Yet doth this accident and flood of fortune

    So far exceed all instance, all discourse,

    That I am ready to distrust mine eyes

    And wrangle with my reason that persuades me

    To any other trust but that I am mad

    Or else the lady's mad; yet, if 'twere so,

    She could not sway her house, command her followers,

    Take and give back affairs and their dispatch

    With such a smooth, discreet and stable bearing

    As I perceive she does: there's something in't

    That is deceiveable. But here the lady comes.

 

    Enter OLIVIA and Priest

 

OLIVIA

 

    Blame not this haste of mine. If you mean well,

    Now go with me and with this holy man

    Into the chantry by: there, before him,

    And underneath that consecrated roof,

    Plight me the full assurance of your faith;

    That my most jealous and too doubtful soul

    May live at peace. He shall conceal it

    Whiles you are willing it shall come to note,

    What time we will our celebration keep

    According to my birth. What do you say?

 

SEBASTIAN

 

    I'll follow this good man, and go with you;

    And, having sworn truth, ever will be true.

 

OLIVIA

 

    Then lead the way, good father; and heavens so shine,

    That they may fairly note this act of mine!

 

    Exeunt

 


ACT V

SCENE I. Before OLIVIA's house.

 

    Enter Clown and FABIAN

 

FABIAN

 

    Now, as thou lovest me, let me see his letter.

 

Clown

 

    Good Master Fabian, grant me another request.

 

FABIAN

 

    Any thing.

 

Clown

 

    Do not desire to see this letter.

 

FABIAN

 

    This is, to give a dog, and in recompense desire my

    dog again.

 

    Enter DUKE ORSINO, VIOLA, CURIO, and Lords

 

DUKE ORSINO

 

    Belong you to the Lady Olivia, friends?

 

Clown

 

    Ay, sir; we are some of her trappings.

 

DUKE ORSINO

 

    I know thee well; how dost thou, my good fellow?

 

Clown

 

    Truly, sir, the better for my foes and the worse

    for my friends.

 

DUKE ORSINO

 

    Just the contrary; the better for thy friends.

 

Clown

 

    No, sir, the worse.

 

DUKE ORSINO

 

    How can that be?

 

Clown

 

    Marry, sir, they praise me and make an ass of me;

    now my foes tell me plainly I am an ass: so that by

    my foes, sir I profit in the knowledge of myself,

    and by my friends, I am abused: so that,

    conclusions to be as kisses, if your four negatives

    make your two affirmatives why then, the worse for

    my friends and the better for my foes.

 

DUKE ORSINO

 

    Why, this is excellent.

 

Clown

 

    By my troth, sir, no; though it please you to be

    one of my friends.

 

DUKE ORSINO

 

    Thou shalt not be the worse for me: there's gold.

 

Clown

 

    But that it would be double-dealing, sir, I would

    you could make it another.

 

DUKE ORSINO

 

    O, you give me ill counsel.

 

Clown

 

    Put your grace in your pocket, sir, for this once,

    and let your flesh and blood obey it.

 

DUKE ORSINO

 

    Well, I will be so much a sinner, to be a

    double-dealer: there's another.

 

Clown

 

    Primo, secundo, tertio, is a good play; and the old

    saying is, the third pays for all: the triplex,

    sir, is a good tripping measure; or the bells of

    Saint Bennet, sir, may put you in mind; one, two, three.

 

DUKE ORSINO

 

    You can fool no more money out of me at this throw:

    if you will let your lady know I am here to speak

    with her, and bring her along with you, it may awake

    my bounty further.

 

Clown

 

    Marry, sir, lullaby to your bounty till I come

    again. I go, sir; but I would not have you to think

    that my desire of having is the sin of covetousness:

    but, as you say, sir, let your bounty take a nap, I

    will awake it anon.

 

    Exit

 

VIOLA

 

    Here comes the man, sir, that did rescue me.

 

    Enter ANTONIO and Officers

 

DUKE ORSINO

 

    That face of his I do remember well;

    Yet, when I saw it last, it was besmear'd

    As black as Vulcan in the smoke of war:

    A bawbling vessel was he captain of,

    For shallow draught and bulk unprizable;

    With which such scathful grapple did he make

    With the most noble bottom of our fleet,

    That very envy and the tongue of loss

    Cried fame and honour on him. What's the matter?

 

First Officer

 

    Orsino, this is that Antonio

    That took the Phoenix and her fraught from Candy;

    And this is he that did the Tiger board,

    When your young nephew Titus lost his leg:

    Here in the streets, desperate of shame and state,

    In private brabble did we apprehend him.

 

VIOLA

 

    He did me kindness, sir, drew on my side;

    But in conclusion put strange speech upon me:

    I know not what 'twas but distraction.

 

DUKE ORSINO

 

    Notable pirate! thou salt-water thief!

    What foolish boldness brought thee to their mercies,

    Whom thou, in terms so bloody and so dear,

    Hast made thine enemies?

 

ANTONIO

 

    Orsino, noble sir,

    Be pleased that I shake off these names you give me:

    Antonio never yet was thief or pirate,

    Though I confess, on base and ground enough,

    Orsino's enemy. A witchcraft drew me hither:

    That most ingrateful boy there by your side,

    From the rude sea's enraged and foamy mouth

    Did I redeem; a wreck past hope he was:

    His life I gave him and did thereto add

    My love, without retention or restraint,

    All his in dedication; for his sake

    Did I expose myself, pure for his love,

    Into the danger of this adverse town;

    Drew to defend him when he was beset:

    Where being apprehended, his false cunning,

    Not meaning to partake with me in danger,

    Taught him to face me out of his acquaintance,

    And grew a twenty years removed thing

    While one would wink; denied me mine own purse,

    Which I had recommended to his use

    Not half an hour before.

 

VIOLA

 

    How can this be?

 

DUKE ORSINO

 

    When came he to this town?

 

ANTONIO

 

    To-day, my lord; and for three months before,

    No interim, not a minute's vacancy,

    Both day and night did we keep company.

 

    Enter OLIVIA and Attendants

 

DUKE ORSINO

 

    Here comes the countess: now heaven walks on earth.

    But for thee, fellow; fellow, thy words are madness:

    Three months this youth hath tended upon me;

    But more of that anon. Take him aside.

 

OLIVIA

 

    What would my lord, but that he may not have,

    Wherein Olivia may seem serviceable?

    Cesario, you do not keep promise with me.

 

VIOLA

 

    Madam!

 

DUKE ORSINO

 

    Gracious Olivia,--

 

OLIVIA

 

    What do you say, Cesario? Good my lord,--

 

VIOLA

 

    My lord would speak; my duty hushes me.

 

OLIVIA

 

    If it be aught to the old tune, my lord,

    It is as fat and fulsome to mine ear

    As howling after music.

 

DUKE ORSINO

 

    Still so cruel?

 

OLIVIA

 

    Still so constant, lord.

 

DUKE ORSINO

 

    What, to perverseness? you uncivil lady,

    To whose ingrate and unauspicious altars

    My soul the faithfull'st offerings hath breathed out

    That e'er devotion tender'd! What shall I do?

 

OLIVIA

 

    Even what it please my lord, that shall become him.

 

DUKE ORSINO

 

    Why should I not, had I the heart to do it,

    Like to the Egyptian thief at point of death,

    Kill what I love?--a savage jealousy

    That sometimes savours nobly. But hear me this:

    Since you to non-regardance cast my faith,

    And that I partly know the instrument

    That screws me from my true place in your favour,

    Live you the marble-breasted tyrant still;

    But this your minion, whom I know you love,

    And whom, by heaven I swear, I tender dearly,

    Him will I tear out of that cruel eye,

    Where he sits crowned in his master's spite.

    Come, boy, with me; my thoughts are ripe in mischief:

    I'll sacrifice the lamb that I do love,

    To spite a raven's heart within a dove.

 

VIOLA

 

    And I, most jocund, apt and willingly,

    To do you rest, a thousand deaths would die.

 

OLIVIA

 

    Where goes Cesario?

 

VIOLA

 

    After him I love

    More than I love these eyes, more than my life,

    More, by all mores, than e'er I shall love wife.

    If I do feign, you witnesses above

    Punish my life for tainting of my love!

 

OLIVIA

 

    Ay me, detested! how am I beguiled!

 

VIOLA

 

    Who does beguile you? who does do you wrong?

 

OLIVIA

 

    Hast thou forgot thyself? is it so long?

    Call forth the holy father.

 

DUKE ORSINO

 

    Come, away!

 

OLIVIA

 

    Whither, my lord? Cesario, husband, stay.

 

DUKE ORSINO

 

    Husband!

 

OLIVIA

 

    Ay, husband: can he that deny?

 

DUKE ORSINO

 

    Her husband, sirrah!

 

VIOLA

 

    No, my lord, not I.

 

OLIVIA

 

    Alas, it is the baseness of thy fear

    That makes thee strangle thy propriety:

    Fear not, Cesario; take thy fortunes up;

    Be that thou know'st thou art, and then thou art

    As great as that thou fear'st.

 

    Enter Priest

    O, welcome, father!

    Father, I charge thee, by thy reverence,

    Here to unfold, though lately we intended

    To keep in darkness what occasion now

    Reveals before 'tis ripe, what thou dost know

    Hath newly pass'd between this youth and me.

 

Priest

 

    A contract of eternal bond of love,

    Confirm'd by mutual joinder of your hands,

    Attested by the holy close of lips,

    Strengthen'd by interchangement of your rings;

    And all the ceremony of this compact

    Seal'd in my function, by my testimony:

    Since when, my watch hath told me, toward my grave

    I have travell'd but two hours.

 

DUKE ORSINO

 

    O thou dissembling cub! what wilt thou be

    When time hath sow'd a grizzle on thy case?

    Or will not else thy craft so quickly grow,

    That thine own trip shall be thine overthrow?

    Farewell, and take her; but direct thy feet

    Where thou and I henceforth may never meet.

 

VIOLA

 

    My lord, I do protest--

 

OLIVIA

 

    O, do not swear!

    Hold little faith, though thou hast too much fear.

 

    Enter SIR ANDREW

 

SIR ANDREW

 

    For the love of God, a surgeon! Send one presently

    to Sir Toby.

 

OLIVIA

 

    What's the matter?

 

SIR ANDREW

 

    He has broke my head across and has given Sir Toby

    a bloody coxcomb too: for the love of God, your

    help! I had rather than forty pound I were at home.

 

OLIVIA

 

    Who has done this, Sir Andrew?

 

SIR ANDREW

 

    The count's gentleman, one Cesario: we took him for

    a coward, but he's the very devil incardinate.

 

DUKE ORSINO

 

    My gentleman, Cesario?

 

SIR ANDREW

 

    'Od's lifelings, here he is! You broke my head for

    nothing; and that that I did, I was set on to do't

    by Sir Toby.

 

VIOLA

 

    Why do you speak to me? I never hurt you:

    You drew your sword upon me without cause;

    But I bespoke you fair, and hurt you not.

 

SIR ANDREW

 

    If a bloody coxcomb be a hurt, you have hurt me: I

    think you set nothing by a bloody coxcomb.

 

    Enter SIR TOBY BELCH and Clown

    Here comes Sir Toby halting; you shall hear more:

    but if he had not been in drink, he would have

    tickled you othergates than he did.

 

DUKE ORSINO

 

    How now, gentleman! how is't with you?

 

SIR TOBY BELCH

 

    That's all one: has hurt me, and there's the end

    on't. Sot, didst see Dick surgeon, sot?

 

Clown

 

    O, he's drunk, Sir Toby, an hour agone; his eyes

    were set at eight i' the morning.

 

SIR TOBY BELCH

 

    Then he's a rogue, and a passy measures panyn: I

    hate a drunken rogue.

 

OLIVIA

 

    Away with him! Who hath made this havoc with them?

 

SIR ANDREW

 

    I'll help you, Sir Toby, because well be dressed together.

 

SIR TOBY BELCH

 

    Will you help? an ass-head and a coxcomb and a

    knave, a thin-faced knave, a gull!

 

OLIVIA

 

    Get him to bed, and let his hurt be look'd to.

 

    Exeunt Clown, FABIAN, SIR TOBY BELCH, and SIR ANDREW

 

    Enter SEBASTIAN

 

SEBASTIAN

 

    I am sorry, madam, I have hurt your kinsman:

    But, had it been the brother of my blood,

    I must have done no less with wit and safety.

    You throw a strange regard upon me, and by that

    I do perceive it hath offended you:

    Pardon me, sweet one, even for the vows

    We made each other but so late ago.

 

DUKE ORSINO

 

    One face, one voice, one habit, and two persons,

    A natural perspective, that is and is not!

 

SEBASTIAN

 

    Antonio, O my dear Antonio!

    How have the hours rack'd and tortured me,

    Since I have lost thee!

 

ANTONIO

 

    Sebastian are you?

 

SEBASTIAN

 

    Fear'st thou that, Antonio?

 

ANTONIO

 

    How have you made division of yourself?

    An apple, cleft in two, is not more twin

    Than these two creatures. Which is Sebastian?

 

OLIVIA

 

    Most wonderful!

 

SEBASTIAN

 

    Do I stand there? I never had a brother;

    Nor can there be that deity in my nature,

    Of here and every where. I had a sister,

    Whom the blind waves and surges have devour'd.

    Of charity, what kin are you to me?

    What countryman? what name? what parentage?

 

VIOLA

 

    Of Messaline: Sebastian was my father;

    Such a Sebastian was my brother too,

    So went he suited to his watery tomb:

    If spirits can assume both form and suit

    You come to fright us.

 

SEBASTIAN

 

    A spirit I am indeed;

    But am in that dimension grossly clad

    Which from the womb I did participate.

    Were you a woman, as the rest goes even,

    I should my tears let fall upon your cheek,

    And say 'Thrice-welcome, drowned Viola!'

 

VIOLA

 

    My father had a mole upon his brow.

 

SEBASTIAN

 

    And so had mine.

 

VIOLA

 

    And died that day when Viola from her birth

    Had number'd thirteen years.

 

SEBASTIAN

 

    O, that record is lively in my soul!

    He finished indeed his mortal act

    That day that made my sister thirteen years.

 

VIOLA

 

    If nothing lets to make us happy both

    But this my masculine usurp'd attire,

    Do not embrace me till each circumstance

    Of place, time, fortune, do cohere and jump

    That I am Viola: which to confirm,

    I'll bring you to a captain in this town,

    Where lie my maiden weeds; by whose gentle help

    I was preserved to serve this noble count.

    All the occurrence of my fortune since

    Hath been between this lady and this lord.

 

SEBASTIAN

 

    [To OLIVIA] So comes it, lady, you have been mistook:

    But nature to her bias drew in that.

    You would have been contracted to a maid;

    Nor are you therein, by my life, deceived,

    You are betroth'd both to a maid and man.

 

DUKE ORSINO

 

    Be not amazed; right noble is his blood.

    If this be so, as yet the glass seems true,

    I shall have share in this most happy wreck.

 

    To VIOLA

    Boy, thou hast said to me a thousand times

    Thou never shouldst love woman like to me.

 

VIOLA

 

    And all those sayings will I overswear;

    And those swearings keep as true in soul

    As doth that orbed continent the fire

    That severs day from night.

 

DUKE ORSINO

 

    Give me thy hand;

    And let me see thee in thy woman's weeds.

 

VIOLA

 

    The captain that did bring me first on shore

    Hath my maid's garments: he upon some action

    Is now in durance, at Malvolio's suit,

    A gentleman, and follower of my lady's.

 

OLIVIA

 

    He shall enlarge him: fetch Malvolio hither:

    And yet, alas, now I remember me,

    They say, poor gentleman, he's much distract.

 

    Re-enter Clown with a letter, and FABIAN

    A most extracting frenzy of mine own

    From my remembrance clearly banish'd his.

    How does he, sirrah?

 

Clown

 

    Truly, madam, he holds Belzebub at the staves's end as

    well as a man in his case may do: has here writ a

    letter to you; I should have given't you to-day

    morning, but as a madman's epistles are no gospels,

    so it skills not much when they are delivered.

 

OLIVIA

 

    Open't, and read it.

 

Clown

 

    Look then to be well edified when the fool delivers

    the madman.

 

    Reads

    'By the Lord, madam,'--

 

OLIVIA

 

    How now! art thou mad?

 

Clown

 

    No, madam, I do but read madness: an your ladyship

    will have it as it ought to be, you must allow Vox.

 

OLIVIA

 

    Prithee, read i' thy right wits.

 

Clown

 

    So I do, madonna; but to read his right wits is to

    read thus: therefore perpend, my princess, and give ear.

 

OLIVIA

 

    Read it you, sirrah.

 

    To FABIAN

 

FABIAN

 

    [Reads] 'By the Lord, madam, you wrong me, and the

    world shall know it: though you have put me into

    darkness and given your drunken cousin rule over

    me, yet have I the benefit of my senses as well as

    your ladyship. I have your own letter that induced

    me to the semblance I put on; with the which I doubt

    not but to do myself much right, or you much shame.

    Think of me as you please. I leave my duty a little

    unthought of and speak out of my injury.

    THE MADLY-USED MALVOLIO.'

 

OLIVIA

 

    Did he write this?

 

Clown

 

    Ay, madam.

 

DUKE ORSINO

 

    This savours not much of distraction.

 

OLIVIA

 

    See him deliver'd, Fabian; bring him hither.

 

    Exit FABIAN

    My lord so please you, these things further

    thought on,

    To think me as well a sister as a wife,

    One day shall crown the alliance on't, so please you,

    Here at my house and at my proper cost.

 

DUKE ORSINO

 

    Madam, I am most apt to embrace your offer.

 

    To VIOLA

    Your master quits you; and for your service done him,

    So much against the mettle of your sex,

    So far beneath your soft and tender breeding,

    And since you call'd me master for so long,

    Here is my hand: you shall from this time be

    Your master's mistress.

 

OLIVIA

 

    A sister! you are she.

 

    Re-enter FABIAN, with MALVOLIO

 

DUKE ORSINO

 

    Is this the madman?

 

OLIVIA

 

    Ay, my lord, this same.

    How now, Malvolio!

 

MALVOLIO

 

    Madam, you have done me wrong,

    Notorious wrong.

 

OLIVIA

 

    Have I, Malvolio? no.

 

MALVOLIO

 

    Lady, you have. Pray you, peruse that letter.

    You must not now deny it is your hand:

    Write from it, if you can, in hand or phrase;

    Or say 'tis not your seal, nor your invention:

    You can say none of this: well, grant it then

    And tell me, in the modesty of honour,

    Why you have given me such clear lights of favour,

    Bade me come smiling and cross-garter'd to you,

    To put on yellow stockings and to frown

    Upon Sir Toby and the lighter people;

    And, acting this in an obedient hope,

    Why have you suffer'd me to be imprison'd,

    Kept in a dark house, visited by the priest,

    And made the most notorious geck and gull

    That e'er invention play'd on? tell me why.

 

OLIVIA

 

    Alas, Malvolio, this is not my writing,

    Though, I confess, much like the character

    But out of question 'tis Maria's hand.

    And now I do bethink me, it was she

    First told me thou wast mad; then camest in smiling,

    And in such forms which here were presupposed

    Upon thee in the letter. Prithee, be content:

    This practise hath most shrewdly pass'd upon thee;

    But when we know the grounds and authors of it,

    Thou shalt be both the plaintiff and the judge

    Of thine own cause.

 

FABIAN

 

    Good madam, hear me speak,

    And let no quarrel nor no brawl to come

    Taint the condition of this present hour,

    Which I have wonder'd at. In hope it shall not,

    Most freely I confess, myself and Toby

    Set this device against Malvolio here,

    Upon some stubborn and uncourteous parts

    We had conceived against him: Maria writ

    The letter at Sir Toby's great importance;

    In recompense whereof he hath married her.

    How with a sportful malice it was follow'd,

    May rather pluck on laughter than revenge;

    If that the injuries be justly weigh'd

    That have on both sides pass'd.

 

OLIVIA

 

    Alas, poor fool, how have they baffled thee!

 

Clown

 

    Why, 'some are born great, some achieve greatness,

    and some have greatness thrown upon them.' I was

    one, sir, in this interlude; one Sir Topas, sir; but

    that's all one. 'By the Lord, fool, I am not mad.'

    But do you remember? 'Madam, why laugh you at such

    a barren rascal? an you smile not, he's gagged:'

    and thus the whirligig of time brings in his revenges.

 

MALVOLIO

 

    I'll be revenged on the whole pack of you.

 

    Exit

 

OLIVIA

 

    He hath been most notoriously abused.

 

DUKE ORSINO

 

    Pursue him and entreat him to a peace:

    He hath not told us of the captain yet:

    When that is known and golden time convents,

    A solemn combination shall be made

    Of our dear souls. Meantime, sweet sister,

    We will not part from hence. Cesario, come;

    For so you shall be, while you are a man;

    But when in other habits you are seen,

    Orsino's mistress and his fancy's queen.

 

    Exeunt all, except Clown

 

Clown

 

    [Sings]

    When that I was and a little tiny boy,

    With hey, ho, the wind and the rain,

    A foolish thing was but a toy,

    For the rain it raineth every day.

    But when I came to man's estate,

    With hey, ho, & c.

    'Gainst knaves and thieves men shut their gate,

    For the rain, & c.

    But when I came, alas! to wive,

    With hey, ho, & c.

    By swaggering could I never thrive,

    For the rain, & c.

    But when I came unto my beds,

    With hey, ho, & c.

    With toss-pots still had drunken heads,

    For the rain, & c.

    A great while ago the world begun,

    With hey, ho, & c.

    But that's all one, our play is done,

    And we'll strive to please you every day.

 

    Exit

 

 

THE END